‘endlessly making an end of things’

overheard avian conversation

The other day I heard three birds discussing the state of the world.

‘It will get worse before it gets better,’ said the first bird.

The second bird harumphed. ‘Actually, it will appear better for a time but then continue to get much worse.’

Pausing to look up from scratching around in the dirt, the third bird asked: ‘Do either of you know when the tall man will start putting out sunflower seeds for us again?’

emma ruth rundle ‘medusa’

seefeel – ‘through you’

 

days of nothing to say, nothing to writeonly music to transpose feeling from within

this is the title

This is the process of describing a thrice-daily perambulation along a specific grid-like configuration of streets and alleyways. It’s the beginning and the end all at once with the middle excised for brevity’s sake. Words are fit together to form a compelling narrative designed to exaggerate the significance of this chain of events. Through the use of a complex algorithm, details from thousands of similar perambulations have been extracted and connected to form a generic description suitable to represent the ongoing series.

Turning a corner there appears a panoramic view of downtown. One day there will be two more buildings on this block instead of a field, obscuring the view and evicting the red-winged blackbirds whose raucous calls now punctuate this observation. No more will the barn swallows arc with precision above the grass, soaring overhead and below knees. The city is a gaping mouth fitted with concrete teeth and asphalt tongue. All open space is in flux, available for negotiation by any wealthy interested parties.

Navigate another leftward right angle turn to complete the rectangular route. Arrive at the correct set of concrete steps leading up. Note the foul mess at the nest box opening left by the fledged house wren brood. Ants move in to investigate. In the garden coneflower blooms open. On the arched trellis coral honeysuckle buds battle to stay ahead of the aphids. Manual removal of the latter seems to be aiding the fight. Along the second level railing the gold dust plant exhibits the lush results of another vigorous growth spurt. Looking around, all appears to be in the usual foliar disarray. Now climb the steps, open the door, shut and lock it.

This is the conclusion of what was begun in the first paragraph. It serves to tie up any loose ends and bring the narrative to a satisfactory close. No new information is introduced so as to avoid confusing the reader, thus preventing any lingering uncertainty as to the nature of what has been heretofore presented. Thus, to be accurate, the true ending occurred with the period following the phrase ‘lock it,’ meaning one could actually stop reading there and not suffer any ill effects.

‘to reduce the fever of feeling’

Outside the wind howls. Inside a trio of snowmen converse in the vicinity of a conference of paper birds. Last night the ‘artsy’ neighbors continued their grand tradition of slamming doors and other unidentifiable objects against floors and walls for several hours between approximately midnight and the archetypal 3 AM hour. Result: current state of apathetic grogginess. Desire for absence of shared walls swells with each passing night of lost sleep.

Days less measureless than before. Crystalline structure of incipient routines inches out beyond the borders of a now worn and tarnished impersonation of L.B. in Rear Window. Except there never was anything even vaguely menacing to observe, only a sea of moment-waves rocking gently against the fragile hull of this origami sailboat.

Return to Pessoa’s words: no novelty in the universal, no comprehensibility in the individual. The old ruse of intentional obfuscation falls flat. But still the urge to fit words together roils inside. Maybe to do it, like Pessoa says, ‘to reduce the fever of feeling.’ Yet if all is unimportant (which it is), why bother describing any version of it. Unless perhaps to merely locate and handle the words themselves. To dive to the bottom, seeking words buried deep in a consciousness whose mirrored surface rests fathoms above undisturbed layers of sediment. Yes, perhaps it is for that reason: to extract anything worth contemplating from the granular level, to slip some small truth from the interstices and examine it from all sides, even if only to then return it unseen.

the passing of time

You know two months have passed when it’s time to buy dog food. You know six months have passed when it’s time to visit the dentist. And speaking of the dentist, against your will you have now endured another session with the aggressively chatty hygienist. What happened is that the dentist’s office called you up while you were out birding on an (extended) lunch break, looking for an elusive Sora to be precise, and so you were distracted and had trouble understanding the person on the phone but managed to grasp that there was a cancellation and did you want to come in tomorrow. You weren’t sure, not particularly liking to make such decisions in a rushed manner (or at all), but also not particularly wanting to continue the conversation, so you said sure, okay, tomorrow is fine. You hung up and another birder pointed out the Sora which was good but then you went to the dentist the next day and it was the chatty hygienist instead of the one you prefer who has a Polish accent and does not barrage you with personal questions while probing between your teeth for plaque, but with whom you did have an enjoyable (short) conversation with six months earlier regarding the hospital seen through the window that as you were sitting there was being torn down, literally at that moment, and you both laughed about how you hadn’t even noticed when you sat down that it was now mostly gone, but after which you were made aware of it provided plenty of visual entertainment during your cleaning while a worker repeatedly employed a wrecking ball with vigorous effort in the demolition process. So now six months later there you are in the chair again and the chatty hygienist immediately begins her assault of questions, growing quite sassy in no time at all, perhaps a new record even for her, necessitating an accompanying increase in sass on your part, for one must maintain a similar tone in this type of repartee or else it swiftly fails, making the situation rather awkward and, let’s face it, if this person is going to have her hands in your mouth for the next 30 minutes it’s best you go along with the banter even though its personal nature is now increasing at a furious pace, as if she is now testing her ability to raise your ire, but your ire will in fact not be raised, it will actually refuse raising altogether because your ire is not easily raised and she is beginning to sense this and clearly it intrigues her, leading her to make verbal note of it, and so she keeps upping the ante, as they say, to the point where it does begin to grow rather tiresome leading you to hope very much for the appointment to end soon so that you can exit the building, get on your bike, and ride in the late afternoon mist the four miles uphill through the gathering traffic to your house where you must walk your dog, prepare dinner, eat dinner, brush your teeth, read a few pages in whatever book you’re currently reading, and go to sleep. And finally it does end, this intense scraping session with accompanying interrogation into your flossing habits coupled with theorizing on topics such as whether you are perhaps a mouth-breather at night because that tends to harden the plaque on the back of your lower front teeth and did you say you do use an electric toothbrushyes, you are eventually freed from this verbal bondage, but not before a certain amount of psychological damage is incurred, though nothing permanent, just enough to make you wish that the stealthy Sora had not distracted you in the first place leading to a split-second decision without full consideration of the possible ramifications, namely that you may, in fact, by taking someone else’s appointment other than your own, be unwittingly sabotaging yourself, directing yourself onto an alternate course whereby you are now penciled in for the duration of time with the overly chatty hygienist, after having just extricated yourself from somehow getting onto her schedule and having subsequently returned yourself to your proper place on the reticent Polish hygienist’s schedule where you in fact had long been penciled in, literally for years beforehand, and still can’t understand how you had suddenly been removed from in the first place. But alas, you won’t know your fate in this matter until another six months have passed, during which time you will have purchased another two, possibly three, bags of dog food, depending on how the calendar asserts itself.

severed rat head portends…something…

The extreme is only extreme when seen through another pair of eyes.

If there’s a problem someone has studied it, but likely not solved it.

If you were to invite disaster to dinner, what would you serve it.

If everybody hurts, why do they keep inflicting more pain.

Are certain things actually bad for us or are we just bad at handling certain things…

Removal from one’s environment alters perception.

(But for how long. For. How. Long.)

Places feel a certain way and it’s hard not to notice.

Somewhere else slows time’s passing (is this why some people love to travel).

A wall is a wall until one climbs on top and then it is a perch.

The familiar done in new ways is better than the new done in familiar ways.

If you run in circles you always finish what you start.

The end of the world no longer frightens me.

disordered chronology of movement

I.

Failed recollections to begin with. Slow-creeping toward habit. A giant round metal head. Sudden velocity. Sudden inertia. Pavement merges with gravel. The emergence of a tentative consciousness, neither hard nor pebbly. Vexation of unidentified raptors. Vultures soar over open sore in ground. A blast. Winged assassins. New commonness of thrashers in the street. Feet to pedals. The river like a swollen artery choked with plaque. Ungroundedness. Slow mounting keen of a train not far off. Dream rivulets running off a dry and calloused cerebellum. The importance of a second floor. Eye contact with strangers. Avoid building awareness of a presence. A body imagined close, a body far off yet close, a body buried in dry soil, a body husking a soul. A dipping line, looming and drawing back, tangled in the hanging moss of a halting lifetime.

II.

The exultant dismissal of everything. A hitching-up of trouser legs above this rising level of foreign liquidity. A spreading out tempered by a wish to gather in. Weathering. Rusty rooftop with greenery. The futile accomplishment of deletion. Southern hospitality. Sensory overload. Sensory deprivation. Every atom split to populate a neverending shell game run by con artists connotating the building blocks of life. It’s so casual is what it feels like. An unseemly seeming accidental existence. And yet people fly planes. Against near-white skies. This is a reason not to listen to all the best songs in a row. This is the reason time means nothing. Look out, the fuse is lit. See how it sputters, this heat seen and heard, racing on its journey to a black-powder shattered shack. Every early morning blink of a first-opened eye, this fuse is lit. And wetted fingertips flutter to pinch it out quick.

III.

Bird on a wire, sing your song, lift your wing to the world. Swoop down and over this set of fleet footprints filled in long ago. Expectations of nothing can never be unfulfilled. It’s a something-nothing to believe in, at least. An anti-ideal to carry stuck beneath an idealist’s forever-sweating armpit. Relish the freedom of solitude in public places. Deny detours diverting detritus. Pick it up, handle it, determine meaning and value, discard when done. Don’t look back but for inspiration. Forward motion fuels freedom. Reminders come free.

unfinished studies in probability

I am trying to determine how it is possible that I never see my immediate neighbors. We literally share walls. And I am out in the streets at least twice a day walking Farley. Yet I never encounter them. How is this possible. What are the odds of me seeing even one of them? That’s what I’d like to know, though I’m not at all a gambling man, just a curious one. Is it because I leave at random times, and they also leave at random times, making our odds of intersection quite low? Or is it because I leave at random times and they leave at the same times, also making our odds of encountering each other low. I know that I never leave at the same time, so perhaps I am the reason we never meet. My erratic behavior may be the cause of our never meeting. However, some people in the neighborhood I see quite often, even though they don’t even live on my street. Why them, I ask, why not the ones so close by. This I don’t understand.

Sometimes I look out a window and I see my immediate neighbors but they appear so far away, like they are in another dimension, another world even, or as if in a dream, and I consider that I may never know them for it is too late, too much time has passed and so we are destined to remain strangers. Somehow, in some hidden unreachable part of my insides, I think I know this is true, and for some reason it saddens me, though I don’t quite know why, but I think it may have to do with how I have created personalities and lives for all of them and the stories of their lives in my head are ongoing and can grow quite elaborate at times, and for reality to now impose on these stories would ruin them and probably depress me.

Meanwhile, the other day as I approached the revolving door at work from outside, someone also approached it from inside, and we pushed simultaneously and the door swung with ease, depositing each of us in places opposite of where we had been, and this was pleasing to me, for it rarely happens, and in general I am ambivalent to revolving doors, yet when serendipity such as this occurs I am reminded of their occasional magic, leaving me with a lingering sense of connection to my partner in door-pushing whom I didn’t know and didn’t speak to nor do I want to know or ever speak to.

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