old school unfiltered digressive blog post

the trail is adjacent to the tracks which are adjacent to the freeway: three disparate choices to answer the north-south question. now imagine this urban aorta, choked with carbon deposits, dirty blood cells forever coursing through it, tied off with a tourniquet of unknown provenance and design.

stop the flow, we said. or rather, i said (and only in my head at that), as i walked the trail empty of the populace, for of course they are encased in the dirty cells choking said aorta and if the city is a heart i guess that places me in the right atrium of this questionable metaphor.

i am walking the dog. he likes the rabbits and groundhogs, but most of all the deer, for he fancies himself le grand chasseur de cerf all because one time he cornered one up against a fence in the woods and thought he’d finally earned the latent ancestral badge of honor awarded through genetics at birth, his herding bloodline transmitted but never having been permitted to establish itself thus far in practice. sadly he was mistaken, however, for his continues to be a largely dull urban existence, devoid of any subsequent deer herding.

so the trail is good for meditative ruminations on metaphorical aortic tourniquets and such other fantasies never bound to reach fruition. for the primacy of the automobile holds fast, and has continued to do so for well over a century now. scourge of the earth though it is, it will never lose ground until the oil dries up. and thus will it facilitate its own demise, being an unsustainable solution to the perpetual problem of transportation, a problem that humanity can never seem to answer in a fully satisfactory manner.

let us consider what havoc the automobile has wreaked, keeping in mind first and foremost that it is a convenience, not a necessity. humanity survived for a much longer time without the automobile than it has with it. and in that time with the automobile, we have breathed in its toxic fumes and polluted the atmosphere with said fumes, changing the climate in the process; we have paved over millions of acres of useful land with impermeable surfacing for the sole purpose of facilitating its mobility, leading to massive amounts of toxic runoff into our waterways; and finally, last but not least, we have experienced its encouragement of some of our most egregious characteristics: aggression, impatience, and laziness.

now let us examine the basic premise of the automobile. it is a selfish machine, for it prioritizes the individual over the group. i get in my car so i can go where i want, when i want, in the shortest length of time possible. all of us in our solitary steel cylinders, hurtling toward oblivion…

sigh. i can’t keep this up. it’s two weeks old by now anyway. who can sustain this focused level of frustrated rage for so long. not me anymore (thankfully). i’ve long since let it die back down to its usual layer of barely smoldering ash but this draft continue to languish, growing further furry layers of word mold (25 to be exact).

today my computer thinks i’m in shrewsbury, pennsylvania. so now my inner voice keeps repeating ‘shrewwwsbury’ in a shrill voice. at least one part of me continues its valiant efforts to lighten the mood.

does anyone even write blogs like this anymore. where a person just spews out unfiltered content. i miss those. it seems as if they are long gone from the internet. now everything is so painstakingly curated to the point where it ends up being completely banal. social media is an easy target for blame, of course. it started out unfiltered, but then everyone became self-conscious, comparing their lives to those of their ‘friends’ and not wanting to seem less cool or fulfilled, not to mention the growing paranoia about offending anyone for fear of public shaming. because social media is now the public forum. meanwhile irl we’re all silently ambling around ignoring each other. strangers don’t talk to each other out there, but online they shred each other to pieces. also, now apparently if you’re outed for anything online your offline life is also officially ruined.

when will these two worlds fully merge, or have they already. for some perhaps, while others of us have one foot in each world and as they each pull away from us our legs slowly descend into a painful involuntary full side split position before eventually…what…we break in half? or fall into the void between the two worlds? and what might that space look like. can we perhaps set up some type of shelter down there and just sort of squat together as a growing community of disenchanted outsiders? i’d be up for that. (no cars allowed, of course).

‘to reduce the fever of feeling’

Outside the wind howls. Inside a trio of snowmen converse in the vicinity of a conference of paper birds. Last night the ‘artsy’ neighbors continued their grand tradition of slamming doors and other unidentifiable objects against floors and walls for several hours between approximately midnight and the archetypal 3 AM hour. Result: current state of apathetic grogginess. Desire for absence of shared walls swells with each passing night of lost sleep.

Days less measureless than before. Crystalline structure of incipient routines inches out beyond the borders of a now worn and tarnished impersonation of L.B. in Rear Window. Except there never was anything even vaguely menacing to observe, only a sea of moment-waves rocking gently against the fragile hull of this origami sailboat.

Return to Pessoa’s words: no novelty in the universal, no comprehensibility in the individual. The old ruse of intentional obfuscation falls flat. But still the urge to fit words together roils inside. Maybe to do it, like Pessoa says, ‘to reduce the fever of feeling.’ Yet if all is unimportant (which it is), why bother describing any version of it. Unless perhaps to merely locate and handle the words themselves. To dive to the bottom, seeking words buried deep in a consciousness whose mirrored surface rests fathoms above undisturbed layers of sediment. Yes, perhaps it is for that reason: to extract anything worth contemplating from the granular level, to slip some small truth from the interstices and examine it from all sides, even if only to then return it unseen.

more data in the imaginary spreadsheet

Yesterday cigar-smoking man was again observed sitting in his chair and smoking. He had a bike with him, though a different bike from his original bike. Meanwhile, someone wrote the word ‘WEED’ in multicolored chalk on the brick promenade. There are now many tourists, both of the large and confused varieties. They approach anyone around them with desperate pleas for directions to destinations that tourists frequent, such as restaurants where they can attempt for a time to assuage their unending hunger. They walk around talking about when to eat, concerned that a late lunch will push dinner back too far. Managing one’s meals whilst vacationing is difficult. It requires careful planning and continuous discussion.

The fake pirate ship drifts into view and executes a tight 90-degree turn in the channel, as the few customers on board respond with halfhearted movements to the ‘deckhands’ capering to the awful pulsing reggae music.  It may be an elaborate game of musical chairs, but the distance is too great to permit an accurate, detailed report.

A police helicopter incessantly buzzes overhead, an unusual occurrence in this sanitized sector of the city. Perhaps it makes the tourists feel protected.

One-sided exchange overheard between two restaurant employees who were setting up outdoor seating:

“[…]”

“No, I would say I’m spiritual, but I don’t believe in organized religion.”

On a certain bridge, someone scrawled ‘It feels so good to do it’ with spray paint. After a while, the graffiti clean-up squad covered it up with neutral paint. Several weeks or months later, the same scrawl appeared but this time it said, ‘It feels so good to do it again’. The clean-up squad covered that one much quicker, only for the scrawl to reappear a few days later as ‘It feels so good to do it again and again’. No one will win this war.

In Winterreise, Nagl has moved on from thinking his life is still lying ahead of him:

‘Now that life is no longer ahead of me, now that it’s really started, there’s nothing else but senseless thoughts. I’ve done everything almost automatically. I made it a point of honor to have everything I did look as if I wanted it. In reality, it just happened.’

Is it the beginning of the end or the end of the beginning.

quiet person day

Today (i.e. whatever day you’re reading this) is the day when we celebrate the quiet person. The quiet person among us is often overlooked and even scorned. This occurs for many reasons, all of which are rooted in the very nature of being quiet. Quietness can be interpreted as a supernatural state. This has caused problems for certain quiet people. Back in the day, the quiet person was often suspected of witchcraft and either burned or crushed to death under large boulders. Throughout history, quiet people have been perceived as oracles, goddesses, world-creators, world-destroyers, saints, sinners, aliens, demons, angels, lunatics, et cetera. An urge to fear the quiet person presents itself. The quiet person rarely speaks unless spoken to. What is going on in their heads. How menacing. Some people think this means the quiet person is a snob. In fact, often a quiet person will open up like a rare flower (e.g., an orchid) when spoken to. Or the quiet person will simply wilt into a pile of rotting organic matter. You’ll never know which unless you try.

Some people think the quiet person has no opinions, but get that person alone and look out! You will not believe the endless stream of words flowing forth from the quiet person. You may wish you had never engaged the quiet person in conversation. At times during this ‘conversation’, it may seem like the quiet person has been possessed by some manic force. When will this person ever shut up, you may find yourself wondering, I can’t get a word in edgewise. However, the quiet person is usually smart and insightful (if you have the right decoder ring), leading you instead to wish you’d not previously overlooked this person. In fact, you may wish you could bottle the quiet person’s wisdom and keep it with you at all times, so that you could take it out when needed and breathe deeply of its essence. Too bad for you that is not possible (yet). Besides, that’s just being greedy! It’s not your place to package the quiet person into a commodity to be bought and sold on the open marketplace, you capitalist bastard. The quiet person will resist the tyranny of your economic systems!

Unfortunately, the quiet person can be perceived as ‘creepy’ or ‘weird’ due to an inherent tendency to hang back and observe instead of participate in whatever inane activity the non-quiet people are currently engaged in. This is blatant discrimination. Quiet people are not all serial killers. It’s unfortunate that the description ‘seemed nice, kind of quiet, kept to her/himself‘ can apply to both sociopaths and non-murderous quiet people. Being quiet carries a heavy stigma, whether the loudmouths among us realize it or not. So step off, fools.

To help celebrate this important day, here are a few helpful suggestions on how to honor the quiet people in your life:

1. Leave them alone. (Can’t go wrong with this one, folks.)

2. Smile and nod at them in tacit approval of their right to remain silent.

3. Refrain from ‘volunteering’ them for public speaking.

4. Do not suggest that they ‘mingle’. They’re leaning against that wall for a reason.

5. Excuse them from any ‘icebreakers’  or other forms of forced socializing (see #4 above).

6. Learn to read minds so that they are not forced to articulate their thoughts.

7. Stop asking them to speak up all the time. Instead consider buying yourself hearing aids.

8. Engage in a ‘not-talking’ contest with them. (And don’t be a sore loser, chatterbox.)

9. Invite them to a mime performance.

10. Do not assume their quietness equates to a dislike for you.

scatterings

i like to see chaos subsumed into order. long grass growing tangled then trimmed. but only in certain places, like next to sidewalks, not in parks where i am walking. no, not there. not when i am sitting facing a field and the man comes on his mower, chasing me away, following me through the park, more and more mower men, an onslaught of men joined in mechanised noise and motion. that is what i don’t like. i like to see spread-out papers form themselves into a neat pile or disappear into the recycle bin. bare surfaces. something emptied and discarded. this is not a manifesto, by the way. this is just a monday morning [note: it’s actually now wednesday—ed.]. a morning i rode in rain. traffic altered my route and i passed the central police station, a thriving death star hive, battered tie fighters buzzing in and out from the flight deck, looking to crush, to destroy, to subjugate the populace, meting out their brutal mutilated form of “justice” with truncheons and guns.

last friday was a special day for i heard my first wood thrush of the year. o, how i love the ethereal songs of the thrushes! there is no sweeter music in the forest for me. i used to wake to their flute music every spring and early summer morning, but no more, no more. now, if lucky, it is the much lesser song of another thrush, the ubiquitous robin. not to disparage the robin, but his song is nowhere near as transcendent as the wood thrush, the hermit thrush, the swainson’s thrush…

yesterday i went to a class that was like jungian personality types but with colors and a few more bells and whistles. i am blue-green and my conflict sequence moves from green to blue to red. there are all these diagrams that look like someone made them with a spirograph. they are quite pretty but i don’t know how i feel about being plotted on a triangular graph. there i am…a black dot straddling the line between two types, far off from my fellows (in the group report, i am a clear outlier, there are no other dots near me). there i am…moving across the color scheme as conflict escalates, crossing axes with impunity. look at me go…

the musicality of everyday life

Day two of rain on my face. Harder rain, colder rain. Less enthused about it. Wednesday’s unraveling of the week’s semblance of sanity. Sameness shakes through the bones. What is today from yesterday and next week. Listen to epic chanting bands as blood pools in useless sitting legs. Message light on phone appears without phone ringing. It’s a mystery I don’t want to solve. Remember to stand and walk around. Vacate vocation. Evoke smoke. Dream a little longer in the morning, don’t let time thieves tear it away. Afternoons of fast guitar picking on taut strings of sudden tendons stretched and longing. I wouldn’t believe it if I didn’t hear it. There is nothing here anymore.

possibility of foam

If buried all but traceless in the dark in its energy sitting, drifting within your own is another body—Anne Carson, “Seated Figure With Red Angle (1988) by Betty Goodwin”

There is something about living in a city, and it has to do with the surroundings being artificial, constructed by humans. Here we sever ourselves from real nature. Here what nature there is persists under duressit may even seem to be a thriving minority, but it will always be the minority. The muted signs of seasonal change vagulate. The constant reminders of the hubris of so-called civilized people swarm in smothering tones. Callousness blankets us. The automobile serves as master and slave. I am concerned.

There is another body inside of my body.¹ And it is drifting. And it is all but traceless in the dark. Whose body is it. Is it mine. Or does it belong to someone quite different.

It is an unfortunate thing to recognize that you are not one who is meant to live in such close proximity to other humans. And yet here you are, aren’t you.

John Stabb from Government Issue sang:

In that comfortable rut again
Goals for the talking man
Outside lies a presence
But a lonely spirit’s walking rut

And he can’t get out
Man in a trap

Deeper things getting direct
Empty social life’s a wreck
Weather and insects tonight
Happiness in black and white

And he can’t get out

Sometimes we come to embody the lyrics we listen to in our youth. This is neither here nor there. It is life. I think we’re all a little bit surprised when we get there. Or here.

Let’s find more creative ways to fail. And write about those ways in more creative ways.

Anne Sexton wrote:

The silence is death.
It comes each day with its shock
to sit on my shoulder, a white bird,
and peck at the black eyes
and the vibrating red muscle
of my mouth.

Anne reminds us that silence can be as menacing and intrusive as noise. A reminder that we are all out here flailing about. And some of us don’t make it. Like Anne herself. Some of us sink beneath the surface, our lungs filled with shards of the little brittle things in life. The ones that drifted beyond our reach, slow or quick, only to be breathed back in with fatal heaving breaths.

Recently I spent a fair amount of time writing up a review of a show I went to the other night but I lost interest. It suddenly seemed unimportant. Literally as I was writing it, I felt the words spelling out into nothingness. The only point of interest remaining when I finished was a question: What do we want from our rock stars? And do we even want them to be stars? I don’t go to see live music much anymore and rock music even less so. But this question startled itself into my mind and would not leave. Music once loved can be tainted. And how a band presents itself to its audience can either win me over or leave me cold. These are the lessons I learned. Outside the womb can be harsh.

There is foam² spilling out here. As winter prepares to wrap us in its icy sharp arms, I am awash with foam. And it may never dry.

___________________________________________________

1. See also: this post

2. For more on foam, see Anne Carson’s essay “FOAM (Essay with Rhapsody): On the Sublime in Longinus and Antonioni,” originally published in Conjunctions 37 and reprinted in the book Decreation (2006).

sorry but this person is dead and could not answer*

In the calm before this storm Foxtrot yet wanders the sky, shining its central eye into my hidey-hole. State of emergency in a place riddled with emergencies, a place where every day is an emergency and we pack our kits in our minds just to make it to day’s end. Listening to songs about erasing it all and hearing the calm outside. And we wait for wind. And we wait for rain. But right now all I hear is you breathing, on the floor, in black-and-white pose.

What will come in another day. Another two. I don’t know. It’s a time of year I do know. It’s the beginning of another end. I used to not even think about it. There have been so many other moments. But can you name just one. I see so many in my mind but I doubt I even lived them. Spectators spectating, dissolving from others’ memories before they are even written across the cerebellum. And the brainstem builds our dreams. And it also tells us we are hungry. But can it know when we are hungry for our dreams?

A long time ago there was a band we went to see in the bottom of a funeral home or maybe just a church. This band’s name was Sarabellum. We huddled on the green carpet and watched and learned. This memory of Sarabellum remains imprinted, though not on my cerebellum, more like my cerebral cortex, likely the prefrontal. So many lobes, so little time.

Where is that liferaft of hair I built. I will need it when my basement floods. I will need it when we are gone and all that is left are the strands of your hair I find everywhere. I will need it to ride out the crescendoes of noise trying to drown out all other sounds. I will float on sound, on my raft, like Huck Finn, down the Mississippi metaphor. And maybe someone will sing this song for us when we are gone. Maybe when this song erases everything else, it will keep on playing and never stop. And it will be us and we will be it and that is all.

*Google Image Search leading here, where this image does not exist

yes, wednesday night is movie night

When you watch a film it’s full of so many intense moments and none of them are real because life is not really made of those moments. It’s full of different ones, many blanking moments between a handful of sparking others that brighten and never wane in your mind, only in your heart. And it’s not the moon. It is ever the sinking sun. On the rocks, the desert floor, the pink and orange and blue, like that trip so many years ago. A film is a distillation of all these things, it is a prickly intensity of which we are not so used to in our daily lives, at least not in later years. In youth life can be like a film, though we lack the perspective required to appreciate it. And I imagine the people who make the sorts of films I have been watching make them because they want to see their lives like a film when they are young, but with the perspective that allows them to see it for what it was.

Tonight I was excited to go walk in the warm night air, even though it is October and it should not be so warm. The crickets yet fiddle and when I touch the inside this night it does not feel so tender. And yet when I talk to someone about his plans to leave this place, even though he’s been around awhile, he’s still a decade behind my next curve in the road. So maybe you can grasp the urgency I feel snaking around me. And if you can grasp it perhaps you could do me the favor of wrenching it off me so I can breathe lighter and freer.

Everything is profound in the late hour. It bears down upon you with a ferocity daylight would never allow. You start thinking about the beginnings of endings and the ending of beginnings and the brutal flatness of middles. You think about contours on a map and start seeing your life through a cartographer’s squinted eye, with those squiggly lines circling around you and they’re all the places you’ve been, the walks you’ve chosen to take, the daily ribbons of flayed flesh stripped from your shrunken sides.

This is not to say…anything, really. When I start typing nothing is ever as it seems. Words touch other words like hot wires and who am I to pull them apart. This hovers before me like a psychiatric tinderbox into which to dump the fantastic and the absurd and what torn shreds are left of the real. The box is metal to minimize the explosive risk? Not that any match will strike and catch this fire.

There is never a conclusion to reach and that appears to be the point. Which is fine, I guess. But can a person reverse evolve? I think I’m becoming a mollusk. Or a bioluminescent dinoflagellate. Foxfire! That’s it. I want to be foxfire. I want to be the green glow you see hovering in your woodpile as you gaze out upon it one evening through the icy windowpane.

enter title here

As a child, Ravel’s Bolero touched me deep. Something about the repetitive melody building as it does to a climax. The drumming particularly struck me, so primal, stripped-down, staccato. And isn’t life so like this for a bit, at least. A crescendo to a climax, but then…a plateau. And what then, what then. The topography of the flat plain bewilders. The plain en plein air. The air all comes at you at once, with no rises to slow it, or alter its trajectory. This tundra is of our own making, sculpted and smoothed over time. Or is it. Maybe it is a figment of a voracious imagination, one that eats a life up one slavering daydream at a time. Perhaps this merits further examination. Or not. This isn’t some academic treatise. No one peer-reviews this blog, that I know of.

I drove past the flea market today and they had a new professional sign installed atop their sign pole. It read: Internet Sweepsteaks. I remembered a couple miles down the road that I had my camera but I did not turn around. Hence I can offer no proof of this gaffe.

I have a memory of lying on my bed as a child, listening to Bolero come through the wall from the hi-fi in the living room. But let’s not get all Proustian here.

I chased a bird today. I said I would not do that but I did. So I didn’t find it. I did find model airplanes. And in one of my phagocytic daydreams I shot them down with my model machine gun. A kingfisher objected to the model airplane. Well, of course. It flew overhead, calling in fussy agitation. In my head I am flying a model fighter jet from the cover of a waterbush. My jet is fitted with tiny model machine guns operated by tiny model soldiers. My tiny model army shoots down all the other model planes and I continue birding in peace.

Someone is singing fake opera down the block. This is unfortunate. I am listening to Nine Inch Nails for some unknown reason. Ah, I remember now. I came upon a NIN album in the car’s CD player. I turned it up loud as I drove slowly down The Avenue with the windows lowered, like I was 17 again. So I’m listening to that first NIN album now, because that was a big one back in the day, I won’t say which day because we’ve got to keep our occasional secrets haven’t we. And I’m trying to drown out the fake opera, but it is persistent fake opera and it refuses to be put down. Also, I’m finding that I’m not really into this album now, especially when he kind of fake-raps. In fact, I would postulate that this was a grave stylistic error on his part. But we all do things in our youth that we later come to regret. And so, perhaps this fake opera singer is also young and will undoubtedly come to regret the torture she put us all through one late September day.

And to paraphrase a sample from a Man or Astroman? song, “well, that’s all over now.” I took a break, between last paragraph and this, during which various events occurred. For example, I watched an episode of the new BBC Sherlock Holmes series. Oh, and I went to the arboretum with Farley. Now it’s just crickets, I’m afraid. Crickets and slugs, as per usual. Plinking out some tunes on my alphabet piano.

I enjoy aggressive music as much as I enjoy quiet melancholic music. It’s essential, you see, to achieve a balance. To be stale, it’s the yin and the yang. But really, each person has its halves. Call it what you will. Semantics notwithstanding, let us not deny our dark sides, or for that matter, our light ones. I embrace both, though it may not be obvious to the general populace. But I am not concerned with them. I am concerned with touching the thing inside. It requires a delicate touch. And it is finicky in what type of delicate touch is required.

I used to go to parties. In my experience that was a mistake. End of story.

I am now listening to Teeth Mountain, a defunct local band whose tribal drumming and frenetic guitars I enjoy. Again with the drumming. One or two classically trained musicians were involved, I believe. Now said musicians play in another band, Horse Lords. I am interested in musical noise that transports one’s headspace into alternate galaxies. I support purveyors of such racket. I support many things, quietly and unobtrusively.

This may be over?

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