overheard avian conversation

The other day I heard three birds discussing the state of the world.

‘It will get worse before it gets better,’ said the first bird.

The second bird harumphed. ‘Actually, it will appear better for a time but then continue to get much worse.’

Pausing to look up from scratching around in the dirt, the third bird asked: ‘Do either of you know when the tall man will start putting out sunflower seeds for us again?’

old school unfiltered digressive blog post

the trail is adjacent to the tracks which are adjacent to the freeway: three disparate choices to answer the north-south question. now imagine this urban aorta, choked with carbon deposits, dirty blood cells forever coursing through it, tied off with a tourniquet of unknown provenance and design.

stop the flow, we said. or rather, i said (and only in my head at that), as i walked the trail empty of the populace, for of course they are encased in the dirty cells choking said aorta and if the city is a heart i guess that places me in the right atrium of this questionable metaphor.

i am walking the dog. he likes the rabbits and groundhogs, but most of all the deer, for he fancies himself le grand chasseur de cerf all because one time he cornered one up against a fence in the woods and thought he’d finally earned the latent ancestral badge of honor awarded through genetics at birth, his herding bloodline transmitted but never having been permitted to establish itself thus far in practice. sadly he was mistaken, however, for his continues to be a largely dull urban existence, devoid of any subsequent deer herding.

so the trail is good for meditative ruminations on metaphorical aortic tourniquets and such other fantasies never bound to reach fruition. for the primacy of the automobile holds fast, and has continued to do so for well over a century now. scourge of the earth though it is, it will never lose ground until the oil dries up. and thus will it facilitate its own demise, being an unsustainable solution to the perpetual problem of transportation, a problem that humanity can never seem to answer in a fully satisfactory manner.

let us consider what havoc the automobile has wreaked, keeping in mind first and foremost that it is a convenience, not a necessity. humanity survived for a much longer time without the automobile than it has with it. and in that time with the automobile, we have breathed in its toxic fumes and polluted the atmosphere with said fumes, changing the climate in the process; we have paved over millions of acres of useful land with impermeable surfacing for the sole purpose of facilitating its mobility, leading to massive amounts of toxic runoff into our waterways; and finally, last but not least, we have experienced its encouragement of some of our most egregious characteristics: aggression, impatience, and laziness.

now let us examine the basic premise of the automobile. it is a selfish machine, for it prioritizes the individual over the group. i get in my car so i can go where i want, when i want, in the shortest length of time possible. all of us in our solitary steel cylinders, hurtling toward oblivion…

sigh. i can’t keep this up. it’s two weeks old by now anyway. who can sustain this focused level of frustrated rage for so long. not me anymore (thankfully). i’ve long since let it die back down to its usual layer of barely smoldering ash but this draft continue to languish, growing further furry layers of word mold (25 to be exact).

today my computer thinks i’m in shrewsbury, pennsylvania. so now my inner voice keeps repeating ‘shrewwwsbury’ in a shrill voice. at least one part of me continues its valiant efforts to lighten the mood.

does anyone even write blogs like this anymore. where a person just spews out unfiltered content. i miss those. it seems as if they are long gone from the internet. now everything is so painstakingly curated to the point where it ends up being completely banal. social media is an easy target for blame, of course. it started out unfiltered, but then everyone became self-conscious, comparing their lives to those of their ‘friends’ and not wanting to seem less cool or fulfilled, not to mention the growing paranoia about offending anyone for fear of public shaming. because social media is now the public forum. meanwhile irl we’re all silently ambling around ignoring each other. strangers don’t talk to each other out there, but online they shred each other to pieces. also, now apparently if you’re outed for anything online your offline life is also officially ruined.

when will these two worlds fully merge, or have they already. for some perhaps, while others of us have one foot in each world and as they each pull away from us our legs slowly descend into a painful involuntary full side split position before eventually…what…we break in half? or fall into the void between the two worlds? and what might that space look like. can we perhaps set up some type of shelter down there and just sort of squat together as a growing community of disenchanted outsiders? i’d be up for that. (no cars allowed, of course).

silver lining to a waking nightmare

Some countries wander by mistake. Earlier this year—June 21st to be precise—Team Rock published an interview with The Sisters of Mercy’s Andrew Eldritch stating that we would see a new album from his eponymous (not) Goth band if Donald Trump were elected as President of the United States of America:

“What is happening in America is an ever more bizarre circus, and the population doesn’t seem to realise just how much it’s being taken for a ride.

I can tell you one thing: If Donald Trump actually does become President, that will be reason enough for me to release another album. I don’t think I could keep quiet if that happened.”

Read the full interview here

(Source: Post-punk.com)

diminuendo*

One feels a certain compulsion to vanish into incomprehensibility. To pack up meaning into a suitcase and shove it under the bed. Nothing said or written can be understood. Therefore I understand nothing, and yet I am no longer concerned. The questioning strain withers on the vine. The inquiring train stops dead on the tracks. This concern of yours is no longer mine. Neither is mine yours. What concern is or ever was. Definition, please (irony!).

Concern (noun): (1) something that relates or belongs to one; (2) matter for consideration; (3) an uneasy state of blended interest, uncertainty, and apprehension (Source: Merriam-Webster [truncated from original]).

Imagine a life lived in this uneasy state: perpetual ‘concern’ over various undiminished ‘concerns’. Imagine this state existing inside a stopped train, or clinging to a dead vinedangling from said vine, about to fall but never indeed falling. Imagine inhabiting an indefinable state while trying to define it. For what purpose.

An enormous sense of loss yawns following a century of troubled sleep. I stick my finger in its cavernous mouth as a joke. It is not amused. Down my throat this finger crawls to oblivion, causing grave intestinal distress. The gut: canary in the coalmine for all imbalance in the bodya dark coiled mystery we prefer not to unravel (think about how long it is). When what happens in the gut stays in the gut we are in trouble. Serious trouble.

A portrait materializes of a mind in a state of atrophy. Stare upon it, cock one’s head to either side (it doesn’t matter which), place one’s chin upon one’s fist (your choice), and consider the mind’s half-life. When it fails to half warning signs erupt. At this point one must choose the route of optimist or pessimist. The half-life point. Mind semi-intact. From this point forward one can lead a life half-lived or not lived at all. Half-lived is better than not lived, right. Or what about living a life half-filled or empty. What is it like to live a half-filled life. Filled with what. Quality over quantity is preferred, is it not. Emptiness is not.

Welcome home to what’s no longer home (or welcome, for that matter). Adjust to institutionalized maladjustmentthese building blocks of lifeelements assembled from a dusty kit unknowingly on factory recall. Build a nest inside the trap. Line it with a soft layer of denial. Once comfortable forget what has never been remembered. Forgetting in advance lessens the pain, though it will still require tending. Pain always requires care and protection. Songs of the past frighten off intruders. Sing yourself to sleep. Ignore the ghosts wandering the halls. They want nothing from you.

*1987 LP recorded by Scottish band Lowlife

‘he walked arm in arm with his shadow’ (éric chevillard)

[note: cursory statistical analysis reveals this blog would receive heightened traffic if it contained more practical advice on ‘all weather bike commuting,’ but instead it chiefly contains impractical, infrequent, and largely unread text such as the following…]

aural darkness in june. a way to refuse the heat. alice. another merciful release. a spiral of silence. another five minutes in this chair. jabès with his name in his pain but his pain with no name. writing about the book and its hold over us. the power of the word. meanwhile duras is looking at the time. ‘it was ten o’clock. in the evening. it was summer.’ and what could maria call the time opening ahead of her…’this incandescence, this bursting of a love at last without object.’

been here too long. here early / leave late / write in boxes / move on wheels back uphill. two legs, four legs, crossing thresholds over and over. sidewalks of daily desolation. tedium in quin’s ‘city where every street declares its defeat.’ consider bernhard and his ‘born barricade fanatics’the shared ‘desire to barricade ourselves from the world.’

but then there is jabès in unwilling exile from his beloved desert. everyone in some form of exilemental, physical, spiritual—feeling incapable of return. like robin about whom the baron thinks ‘there was in her every movement a slight drag, as if the past were a web about her, as there is a web of time about a very old building.’ and yet nora saying ‘robin can go anywhere, do anything, because she forgets, and i nowhere because i remember.’ because what bliss it would be to forget, right, to not always be dragging that chain of keyless padlocks behind. two (mis?)interpretations of another’s experience. dangers of outside looking in. but what of robin. what of robin. on the floor barking like a dog. a shattered mirror. surrendered to expectations. a final transition to conditioned response. or the ultimate shedding of humanity’s heavy carapace.

monday fuzz

What is this dialect—tearing the oilskin remnants of time—the sun a hot dripping ball of wax sealing shut another sudden day—a new place a new suit a new matchbox—walk this gauntlet overshadowed by a pair of rotors and a smile—another scene stuck in a feedback loop—(hey who let all these gnomes out in the desert)—welcome to distortion a normality found in the far reaches of a certain type of mind—if it makes sense do not r e p e a t do not report it—a pattern of melancholy strung up like twinkling lights throughout the ages—now we enter the cloud chamber now we genuflect to the amplifier—to celebrate a sudden soaring up of souls on waxen wings of failed entrepreneurs—now there is this feeling this feeling of looking up at lights in windows from sidewalks sewn lifetimes away—a hurt that feels too good not to press on a little—our survival depends on this twisted nest feathered with compulsions—and we pass through the gates—(having entered as sound, blind)—we board the vessel and wait—what ho, off the starboard bow is it Scylla is it Charybdis or is it nothing at all nothing at all—(we exit as light, deaf)—next time take the train it’s said to be more scenic—wait everything changed again—wait wait there is no next time.

disordered chronology of movement

I.

Failed recollections to begin with. Slow-creeping toward habit. A giant round metal head. Sudden velocity. Sudden inertia. Pavement merges with gravel. The emergence of a tentative consciousness, neither hard nor pebbly. Vexation of unidentified raptors. Vultures soar over open sore in ground. A blast. Winged assassins. New commonness of thrashers in the street. Feet to pedals. The river like a swollen artery choked with plaque. Ungroundedness. Slow mounting keen of a train not far off. Dream rivulets running off a dry and calloused cerebellum. The importance of a second floor. Eye contact with strangers. Avoid building awareness of a presence. A body imagined close, a body far off yet close, a body buried in dry soil, a body husking a soul. A dipping line, looming and drawing back, tangled in the hanging moss of a halting lifetime.

II.

The exultant dismissal of everything. A hitching-up of trouser legs above this rising level of foreign liquidity. A spreading out tempered by a wish to gather in. Weathering. Rusty rooftop with greenery. The futile accomplishment of deletion. Southern hospitality. Sensory overload. Sensory deprivation. Every atom split to populate a neverending shell game run by con artists connotating the building blocks of life. It’s so casual is what it feels like. An unseemly seeming accidental existence. And yet people fly planes. Against near-white skies. This is a reason not to listen to all the best songs in a row. This is the reason time means nothing. Look out, the fuse is lit. See how it sputters, this heat seen and heard, racing on its journey to a black-powder shattered shack. Every early morning blink of a first-opened eye, this fuse is lit. And wetted fingertips flutter to pinch it out quick.

III.

Bird on a wire, sing your song, lift your wing to the world. Swoop down and over this set of fleet footprints filled in long ago. Expectations of nothing can never be unfulfilled. It’s a something-nothing to believe in, at least. An anti-ideal to carry stuck beneath an idealist’s forever-sweating armpit. Relish the freedom of solitude in public places. Deny detours diverting detritus. Pick it up, handle it, determine meaning and value, discard when done. Don’t look back but for inspiration. Forward motion fuels freedom. Reminders come free.

the tricky truth of time

I have not been to work in 11 days. I will not return for another two. I love this time. I have been taking this break at the end of the year for at least five years running. It has become important to me, this shucking off of the past 12 months in preparation for the new rack of days about to be set.

What happens is a curious thing. The coccoon of time unravels and I am released into a nebulous world of days and hours unmarked by the usual frames of reference. On occasion, I find myself searching my mind for what day it is. Recall is often laborious. When it does occur, I laugh quietly. I lose track of what days the recycling is picked up, when certain shows air on the radio, who among my circle might be working at any given moment.

I know it is morning when the yellow light pours into the sunroom from the east. It warms me over my shoulder as it falls across the pages of my book.

I know it is midday when Farley starts angling for a walk.

I know it is evening when the last light fades, leaving a gloom to settle in the house.

But the weekdays tend to blur into the weekend. Morning hours are in general distinguishable, one from the other, but the afternoon hours caper gleefully, spinning in circles around the maypole, daisy-chaining their elastic selves around my helpless body, freeing me from the snare of routine. They tempt me into running for the hills. Crouching in the thickets, they whisper to me snatches of their secrets, of ‘p time’ and ‘m time,’ with the laughability of it all unconcealed in their twinkling eyes. We are not binding straps, they say; rather we are possibility, we are discovery, we are whatever happens between the beginning and the end.

Soon, though, Colonel Responsibility will beckon with his truncheon for me to trudge down from the hills. Under the hard Colonel’s watchful eye, I will refasten the familiar leghold trap, grinding my teeth as the steel fangs puncture my skin, reopening barely-healed wounds. The yellow light will disappear behind windowless walls. The afternoon hours will sheepishly turn their backs on me, showing me their ugly sides. And I will wonder again about their truth they never fully share.

Soundtrack:  EarthHex: or Printing in the Infernal Method (Thanks, Taidgh!)

inside a person another one

this life in parallel there’s always been, inside a person another one, what do others do, deny it i guess, or maybe it’s not there, for them it’s not there, and i see it all before me what will never come but what has happened, what is happening, inside a person another one, it’s been there all along, and it keeps growing, keeps expanding, so many layers, painstakingly detailed scenes, every time some spark strikes, the line of tinder crackles, the fuse is lit, i can’t put it out, i could never put it out, there are ways to try, and i know some other ways i’ve seen others try, each one ends the same way, we all know how it does, yes, we do, and do you know how when you’ve done things so often, day in and day out, and then one day you do something a little different and it throws you off, it pushes you off onto another track, but not enough to shift you into the parallel life, no, not that far, just enough to make you stop for a minute and think about it all, about that other life and where it’s going, the people in it, the way they’ve come into being, likely so different than how they are in this life, the way you act, the way they act, whatever happens, and what if the two converged even for a day or just an hour, what then, what then for the person inside the person, the two people now, who looms larger, a dried-out husk of aloofness wraps around the hot soldering iron trapped inside, look out, fire hazard, i smell smoke, i’ve seen the others burn themselves up, i know how it all ends, it’s near halfway and i see the hazy shapes down below resting on the sea floor, so many split halves, so many discarded broken parts, a graveyard of misshapen lives.

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