Ghost Paper Archives

Ghost Paper ArchivesGhost Paper Archives (logo design by Nate Dorr) (GPA) is the imprint under which A Set of Lines has been published. GPA is a publishing collaborative focused on the creation and dissemination of texts and imagery, online and in print, that document facets of the human colonization of Earth. These facets reflect a tendency toward, or even a fixation on, the eerie mundanity of quotidian life on this planet. In short: we’re here, we’ve made a total mess of the place, but what does our daily existence communicate? What about the objects (and beings) we gather around us, or the built environments we inhabit, by choice or otherwise? And what role do dreams play? How can this raw material distill itself into new and disorienting spirits within the textual story container or across the visual landscape (be it moving or still)? The tiniest narrative fronds begin to unfurl.

If you subscribe to the Lost Gander blog, either as a WordPress user or not, I invite you to also subscribe to the GPA site, as that site will hopefully soon be busier than this one has been of late. You can sign up to receive future posts on the right sidebar of the GPA site. As always, thanks for reading!

‘to reduce the fever of feeling’

Outside the wind howls. Inside a trio of snowmen converse in the vicinity of a conference of paper birds. Last night the ‘artsy’ neighbors continued their grand tradition of slamming doors and other unidentifiable objects against floors and walls for several hours between approximately midnight and the archetypal 3 AM hour. Result: current state of apathetic grogginess. Desire for absence of shared walls swells with each passing night of lost sleep.

Days less measureless than before. Crystalline structure of incipient routines inches out beyond the borders of a now worn and tarnished impersonation of L.B. in Rear Window. Except there never was anything even vaguely menacing to observe, only a sea of moment-waves rocking gently against the fragile hull of this origami sailboat.

Return to Pessoa’s words: no novelty in the universal, no comprehensibility in the individual. The old ruse of intentional obfuscation falls flat. But still the urge to fit words together roils inside. Maybe to do it, like Pessoa says, ‘to reduce the fever of feeling.’ Yet if all is unimportant (which it is), why bother describing any version of it. Unless perhaps to merely locate and handle the words themselves. To dive to the bottom, seeking words buried deep in a consciousness whose mirrored surface rests fathoms above undisturbed layers of sediment. Yes, perhaps it is for that reason: to extract anything worth contemplating from the granular level, to slip some small truth from the interstices and examine it from all sides, even if only to then return it unseen.

continuing studies in probability

I have suddenly begun encountering my neighbors all the time. Maybe they read what I wrote about them. Actually that is highly improbable. It’s funny to think about, though. Yes, it is. To me, at least. That they would intentionally make themselves more accessible to me based upon reading my musings on why I never see them is hilarious. But it’s more likely that this is related to the phenomenon I encounter with things like mist and nemesis birds, wherein something once recognized and acknowledged suddenly becomes omnipresent. Yes, that must be it. I must let it simmer longer, though.

A poem-fragment-something of mine called “The sights and sounds of leaving” appears in the 2012 issue of Paper Nautilus. Being a paper nautilus it only creeps out into the world in paper form. Copies are available here. I have one more forthcoming publication in 2013 (an erasure text) but that will likely be it for a while. The submission process strangles the life out of me and punctures holes into my dreamy writing life (for an extended even darker view, see also: this). I am reclaiming that life.

digging in the shade of the vowel tree

Sylvia Plath wrote of
intolerable vowels
entering her heart
but what of ruthless
consonants headed
to our brains.

We all know about a-e-i-o-u and sometimes y. They may be intolerable but their numbers are small. And they are more easily made to do our bidding. The consonants, in contrast, are legion and their rigidity stifles. Perhaps the only way to harness their true power is to one-by-one start taking them away.

Anna Kavan wrote:

I had only learnt how to be friends with shadows; it might be too late to learn the way of friendship in the sun.

Friendship in the sun is a mirage. The way to it is false. The sun fades color and one day it will kill us all. Shadows make easy friends: we pass through them as they do through us. Few stay long. It is their nature. Sometimes it feels like it is in all our natures to expand and contract, pull away and grow close, like a squeezebox played by a jittery ghost.

Kafka wrote:

No one will want to lie in clouds of mist with me, and even if someone did, I couldn’t expel the mist from my head.

This gets at the heart of the problem, I think. One feels an isolation and maybe a desire to connect, sometimes even a desperate mania. But who can share a dreamy solitude? By definition, no one. And if it was at all even possible, the mist remains. How could we find each other. How could one’s dream self operate in reality? The pilot seat in your head is unlike the one outside of it. Out there, we cannot twist the knobs, adjust the instruments without consultation, without repercussions, without the sun blinding us. In the shadows, the mist, these difficulties melt away.

Jung wrote:

A man can hope for satisfaction and fulfillment only in what he does not yet possess; he cannot find pleasure in something of which he already had too much.

Yikes, Carl, that’s bleak, even by my admittedly generous standards. In fairness, on the next page of Modern Man in Search of a Soul, Jung also states: “The needs and necessities of individuals vary. What sets one free is for another a prison.” So I guess one could argue that for some people overindulgence sets them free, although I don’t think that’s his point with the former quote. I think it is about anticipation. Jung is talking about this concept in the context of the development of analytical psychology, and yet it stands out in the text as such a sweeping statement. But I don’t think this aphorism or whatever you want to call it can be universally applied. Certainly competitive eaters don’t find pleasure in the 18th hot dog in a row that they’ve shoved down their throats. But can Jung honestly think that attaining the love of another person does not lead to satisfaction and fulfillment? I mean, I will grant him that unrequited love is an exquisite thing, and possibly more intense on the whole than many long-term relationships. But no satisfaction and fulfillment for those in love? I don’t know, maybe he is not including love or other emotions here. Maybe he is referring strictly to material things, in which case I willingly concede his point.

Édouard Levé wrote:

The full weight of depression comes on between 1-5 PM, particularly when I am home by myself. Mornings and night are more filled with promise.

Filled with promise. Is that what we are after? Moments filled with promise? Is it merely the anticipation we crave, what Jung says we can find satisfaction and fulfillment in? Anticipation can be tantalizing, I’ll admit. But how. How can we be satisfied with mere promise. Inherent in promise is a pledge to fulfill at some point in the future, not at the moment of the promise. Like an IOU. Is it the step we take to accept the promise that is meant to satisfy? Is it the mental and/or emotional trust fall we allow ourselves to take? If so, what of broken promises. Do those negate the previous gain in fulfillment? Well, do they, Jung? If he were here, I’d have more than a few questions for him.

Levé also wrote: “Above a certain height I like what I see. Below it I don’t.” I suppose we can read this on a literal or a metaphorical level. What is the certain height. And is it a chronological point, a philosophical one, a spiritual one. Who knows. I think we can safely say, though, that whatever the certain height represents, it changes between individuals. Remember how Jung said what sets one person free is another person’s prison.  Some people don’t like what they see above a certain height, while others crane their necks for a peek. Some spend their lives craning for that view, but some are content to not look. They don’t want to know…they look away in fear, shame, embarrassment, whatever.

So what is the conclusion. Is Kafka’s mist the same as Carson’s foam? Sometimes it’s a strain to make all the connections. Certainly reading and writing are key decoder rings. Endless battles, ceasefires, sneak attacks, and truces with the vowel and consonant armies. And maybe the ladder stretches high enough to see above the mist. I think others have ladders high enough, too. If we squint hard enough we can probably see each other, mouths flecked with foam, across the scorched battlefield strewn with bloody words and mangled sentences. Hello there! I do not have rabies. I am merely seeking the sublime. Perhaps you’d care to meet in the mist and discuss for a few moments. I’ll be waiting.

the town

The highest point of the town held a water tower and once I rode down that hill on my scooter using my new shoe as a brake and when I reached the bottom I found the scooter’s tire had burned a big gash into the heel of my shoe.

The lowest point of the town held a lake and once I stubbed my toe in its silty bottom resulting in a trip to the doctor who poked holes in my toenail to relieve the pressure.

The town took away and it gave and it took away and it gave, sometimes it left parts of itself in me, parts that had to be removed, other times the parts remained encysted and grew into hard black stones that never went away.

The town visits me now, frequently, in my dreams. It is the setting for all types of absurd scenarios, completely unrelated to actual events, only tapping memory for details of setting, and even then playing sly with the facts, bending and shaping, but always leaving things just recognizable enough.

I find this unsettling as the town means nothing to me in my present life and I have not been there in many years. There is nothing there for me now. And yet it is the skeleton of my early life. The streets are the bones. There is a house somewhere that serves as the skull, with windows like eyeholes, looking out onto a world I was seeing for the first time.

I feel a pull toward the town and I don’t know why. I think it is the aching for a home, a place I know so well it is a part of me, inseparable from who I am and what I do. A known setting for my life, however I choose to live it, with scenery grown like vines through my blood and bones. The place where it all starts and ends. Home.

news from dream life

Last night I had a dream where, in answering someone’s question, I referred to a place that to my knowledge only exists in my own dream life. The place is a park with a campground that was the setting for an epic dream of many months before. This is the first time I can recall this happening and I woke up feeling exhilarated over this advancement in my dream explorations. I think it represents real progress. I have been reading Anna Kavan’s book Sleep Has His House at night before I go to sleep and I now wonder if it is influencing my night-time life.

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