tuesdayish

On Walking Backwards

My mother forbad us to walk backwards. That is how the dead walk, she would say. Where did she get this idea? Perhaps from a bad translation. The dead, after all, do not walk backwards but they do walk behind us. They have no lungs and cannot call out but would love for us to turn around. They are victims of love, many of them.

–Anne Carson, Plainwater

Couples who walk around with their hands in each others’ back pockets proclaim a clear statement, I think. And that statement is, we don’t mind you watching us grab each others’ butts.

There are ghosts. And they haunt us. This can happen in nontraditional ways.

People work harder to make their lives easier.

At work we now have the same meeting every week, but every other week it is called something different. This, I believe, is some kind of trick.

I am waffling over something, and this makes me hungry for waffles.

Sometimes a piece of mail can frighten you. Imagine the worst, then wait awhile to open it. I don’t advise this.

Plans make me nervous. Once I’ve made a plan or been made aware of a plan that involves me, I often secretly wish for it to unravel. I’m not sure why.

Open statement to any UK policy-makers landing here as a result of a Google search:

Please don’t cull the badgers.

a tribute to conrad

Sometimes I look people up on the Internet, people whom I have lost touch with, yet periodically wonder about. After years of doing this, I have found that the people I tend to befriend are often not people with much Web presence. So, in general, this practice is frequently frustrating and, in most cases, fruitless. Sometimes I stop trying.

Today I again looked up my friend Conrad, a compatriot from long ago, and one whom I’ve never had much luck in tracking down before. And so I was shocked this time to find an obituary for him from almost two years ago. He was only 33.

I met Conrad in the dishroom of a large university’s student food court. We both worked there, and during my three years of periodic employment at that hellhole, he was my closest friend. We used to spend our days plotting to overthrow the management. We planned to mount towering Gothic thrones for ourselves in opposite corners of the dishroom, from which we would reign over our kingdom. We grew giddy from drinking too much Josta cola.

Conrad had a vivid imagination and a wicked sense of humor. He was generous and kind. From what I observed he was also quiet and rather withdrawn with most people. He loved comics, movies, and video games. I remember him being obsessed with Spawn. We shared a deep-seated love of the film Repo Man. He even made me a cassette of the soundtrack, which I still have. He liked Iggy Pop and Saturday Night Fever. Sometimes he would even dance like John Travolta in the privacy of the dishroom. He often wore black…maybe even always.  He was creative and liked to draw, but he was self-critical to a fault. He had talent, but didn’t seem to believe it and would viciously criticize his own work. It didn’t matter if you told him otherwise.

We goofed off a lot at work. It was a crap job and there was a lot of down time. We were young and belligerent. We’d go to the basement of the building and Conrad would do pull-ups on the pipes. He was in good shape and his arms looked strong. I remember going to his apartment once and he showed me some of his drawings. I pestered him to see them, and he finally relented. It felt to me like he was exposing some part of himself that he rarely did, and that meant a lot to me. He came to my place once, too, and played Scrabble with me and my girlfriend. I took a photo of him there, sitting on the couch, dressed all in black and scowling like Bela Lugosi at the camera.

I wish I could remember more about Conrad, the things he said, because he was so funny. But it was so long ago, what feels like a few former lives prior to this one. I have in my head a few bits and pieces of conversations we had and I still keep those close. In my online searches, I came across only a few pages referencing him: a guestbook from the funeral home where members of his family had left messages; a page on deviantART where his cousin (a noted comic artist), whom he had lived with back when I knew him, had posted news of Conrad’s death and written a bit about his interests and artistic skills; and a handful of illustration credits from role-playing adventure games. I was happy to see that he’d published some work. I hope that had boosted his self-confidence.

Conrad was one of those regretted lost companions, for we connected on a certain rare level. I used to send him my zine after he moved back home, but I never received anything in return. I even based a character on him in a crappy novella I wrote some years back. He left an impression on me, and I’m sorry that I didn’t get to know him better than I did. He wasn’t easy to get to know, though; he was rather private and sort of a loner (like me, I guess), and I was also young and confused, aloof and distant from my own emotions.

I don’t know how Conrad died and I suppose it’s not that important. I don’t know what it is that makes us wonder about cause of death. I guess part of it is that he was so young. I don’t know if he was sick, or how much he suffered. Maybe some of this is morbid curiosity, from which I am not immune. But mostly it’s wanting to know how he was in his final days and wishing he was not in pain. All I know from reading the obituary is that he died at home, and I hope that means he was comfortable and with his family. But I don’t know that. I didn’t know any of his family, either, so I guess this mystery will remain.

He was a good person, a true friend, and I won’t forget him.

© 2012 S. D. Stewart

Repo Man Soundtrack b/w Dead Kennedys Plastic Surgery Disasters (and a little bit of Fever)

measure for a loner, erased

[click image to read]

© 2012 S. D. Stewart

Erased from the 1959 science fiction story by Jim Harmon, aka Mr. Nostalgia

lunchtime trip to the ♥library♥

© 2012 S. D. Stewart

My weekend looms…

astigmatism of the central eye

Sometimes at night I hear the train whistle rise above the sirens.

But the whirring of the police chopper’s rotors drowns out all else.

Makes a sound like an industrial drill boring a hole in your skull.

Makes a feeling like Winston Smith working at the Ministry of Truth.

I have been rewriting history for almost seven years.

And in the silence following we count our heartbeats.

And in the following heartbeats our silence counts.

And following in the heartbeats counts our silence.

There is selective silence between the history I rewrite in my mind.

Only a few others hear it. We shouldn’t be there. It’s time to move along.

My mind rewrites silence between the selective history.

We shouldn’t hear it. Others move along. Only a few, following.

In the silence we will move along, writing our futures, following no one, our whirring heartbeats rising above, drowning out history.

under the hood, or why employment sucks

I look at her and I think elven. I look at him and I think trollish. Can we agree to populate a new Middle Earth? A magical world beneath the earth’s crust but filled with yellow light and many moons, odd trees with moving limbs, fens and fields. I found the path, hidden in some words, beneath a curious pile of stones. It’s the wanting that matters, never the getting. The emptiness that follows never fills, so hollow, so immediately expected.

URGENT POSTSCRIPT: I started writing this, during a meeting, on my notepad beneath a drawing of a giant eye and a drawing of a unicorn that I labeled ‘uni-bull.’ The eye was labeled ‘the eye.’ After some time the unicorn grew spines on its back and a spiked battle flail for a tail; meanwhile, the eye took on an increasingly menacing look. The whole thing started when I noticed how one of my new coworkers looks remarkably elven and I began to imagine her ears growing to points up through her hair. See below for the Actual Page™. As you can see, the text has gone through some revisions since it first leaked from my pen. In the notes, ‘STP’ [sic] refers to the band Steel Pole Bath Tub, which formed in Bozeman, Montana. ‘Pig Latin’ is a reminder to myself to look up an online Pig Latin translator (for a private project), of which I found two: here and here.

Note: This post was composed during repeated listens to the unreleased Steel Pole Bath Tub track ‘Unlistenable 1’ available on the band’s website.

© 2012 S. D. Stewart

Important meeting notes

the deceased

© 2012 S. D. Stewart

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these glowing chains

This morning downtown smelled like a lit fuse.

After lunch I went back to find more monarchs. They were keeping company with one raggedy-looking Common Buckeye. A monarch almost flew into my face. I watched it shove its proboscis into every single bloom. I considered staying there all day.

Wikipedia disambiguates firefox from foxfire. This irritates me more than it should.

I may change my name to Dirge Foxfire and start wearing all black. Soon after, me and my drum machine Phalanx will start a band to broadcast the coming of the end. Only the people who matter will hear our message, of course. Later I will begin to glow as my corporeal presence slowly fades.

Lit fuse smell caused by three-alarm fire.

yes, wednesday night is movie night

When you watch a film it’s full of so many intense moments and none of them are real because life is not really made of those moments. It’s full of different ones, many blanking moments between a handful of sparking others that brighten and never wane in your mind, only in your heart. And it’s not the moon. It is ever the sinking sun. On the rocks, the desert floor, the pink and orange and blue, like that trip so many years ago. A film is a distillation of all these things, it is a prickly intensity of which we are not so used to in our daily lives, at least not in later years. In youth life can be like a film, though we lack the perspective required to appreciate it. And I imagine the people who make the sorts of films I have been watching make them because they want to see their lives like a film when they are young, but with the perspective that allows them to see it for what it was.

Tonight I was excited to go walk in the warm night air, even though it is October and it should not be so warm. The crickets yet fiddle and when I touch the inside this night it does not feel so tender. And yet when I talk to someone about his plans to leave this place, even though he’s been around awhile, he’s still a decade behind my next curve in the road. So maybe you can grasp the urgency I feel snaking around me. And if you can grasp it perhaps you could do me the favor of wrenching it off me so I can breathe lighter and freer.

Everything is profound in the late hour. It bears down upon you with a ferocity daylight would never allow. You start thinking about the beginnings of endings and the ending of beginnings and the brutal flatness of middles. You think about contours on a map and start seeing your life through a cartographer’s squinted eye, with those squiggly lines circling around you and they’re all the places you’ve been, the walks you’ve chosen to take, the daily ribbons of flayed flesh stripped from your shrunken sides.

This is not to say…anything, really. When I start typing nothing is ever as it seems. Words touch other words like hot wires and who am I to pull them apart. This hovers before me like a psychiatric tinderbox into which to dump the fantastic and the absurd and what torn shreds are left of the real. The box is metal to minimize the explosive risk? Not that any match will strike and catch this fire.

There is never a conclusion to reach and that appears to be the point. Which is fine, I guess. But can a person reverse evolve? I think I’m becoming a mollusk. Or a bioluminescent dinoflagellate. Foxfire! That’s it. I want to be foxfire. I want to be the green glow you see hovering in your woodpile as you gaze out upon it one evening through the icy windowpane.

no-fuss justice coupon plans: some thoughts

[click image to read]

© 2012 S. D. Stewart

CLICK TO ENLARGE

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