the musicality of everyday life

Day two of rain on my face. Harder rain, colder rain. Less enthused about it. Wednesday’s unraveling of the week’s semblance of sanity. Sameness shakes through the bones. What is today from yesterday and next week. Listen to epic chanting bands as blood pools in useless sitting legs. Message light on phone appears without phone ringing. It’s a mystery I don’t want to solve. Remember to stand and walk around. Vacate vocation. Evoke smoke. Dream a little longer in the morning, don’t let time thieves tear it away. Afternoons of fast guitar picking on taut strings of sudden tendons stretched and longing. I wouldn’t believe it if I didn’t hear it. There is nothing here anymore.

repetition is a theme

Buried in slog of post-contest photo caption editing. It is satisfying in a maddening way.

Tools for Monday survival kit:  Zeni Geva, The Voyeurs, Peanut Chews, Coffee

the tricky truth of time

I have not been to work in 11 days. I will not return for another two. I love this time. I have been taking this break at the end of the year for at least five years running. It has become important to me, this shucking off of the past 12 months in preparation for the new rack of days about to be set.

What happens is a curious thing. The coccoon of time unravels and I am released into a nebulous world of days and hours unmarked by the usual frames of reference. On occasion, I find myself searching my mind for what day it is. Recall is often laborious. When it does occur, I laugh quietly. I lose track of what days the recycling is picked up, when certain shows air on the radio, who among my circle might be working at any given moment.

I know it is morning when the yellow light pours into the sunroom from the east. It warms me over my shoulder as it falls across the pages of my book.

I know it is midday when Farley starts angling for a walk.

I know it is evening when the last light fades, leaving a gloom to settle in the house.

But the weekdays tend to blur into the weekend. Morning hours are in general distinguishable, one from the other, but the afternoon hours caper gleefully, spinning in circles around the maypole, daisy-chaining their elastic selves around my helpless body, freeing me from the snare of routine. They tempt me into running for the hills. Crouching in the thickets, they whisper to me snatches of their secrets, of ‘p time’ and ‘m time,’ with the laughability of it all unconcealed in their twinkling eyes. We are not binding straps, they say; rather we are possibility, we are discovery, we are whatever happens between the beginning and the end.

Soon, though, Colonel Responsibility will beckon with his truncheon for me to trudge down from the hills. Under the hard Colonel’s watchful eye, I will refasten the familiar leghold trap, grinding my teeth as the steel fangs puncture my skin, reopening barely-healed wounds. The yellow light will disappear behind windowless walls. The afternoon hours will sheepishly turn their backs on me, showing me their ugly sides. And I will wonder again about their truth they never fully share.

Soundtrack:  EarthHex: or Printing in the Infernal Method (Thanks, Taidgh!)

peering out from dormancy

The recently sliced up confetti of old words sifts through my fingers as the primitive beats of old heavy music pulses in the other room. Winter is upon us, oh yes, with the wind and the snow and the sleet and the penetrating coldness. Every year the shock of how slowly real winter arrives here beats me about the head with a large stick come late December, early Januaryish. Cold fingers tapping on the keys, the chill of the glass in these windows, how reading in the sunroom suddenly means reading in the ice fishing shack. And how I become a grumbly old man, rug thrown across my lap, scarf encircling my neck, unwashed hair standing on end, burning words in my brain to stay warm somewhere, if not on the outer surfaces, then at least on the inner ones.

I still prefer it to the stifling madness of a city summer. I find it easier to get warmer than to get cooler. The lack of mosquitoes in winter thrills me. Sometimes I loiter in my front yard, teeth chattering, for the mere joy of not being eaten alive by those tiny flying demons.

The bitter cold purifies. Most living things die out there. Or go dormant. I go semi-dormant myself, though this state is not dissimilar from other times of year for me.

On cold days, humans appear on the street as rapid bundles of fabric. On hot days, humans appear on the street as languid loops of flesh. Take your pick.

I’m making good use of my vacation from the-place-that-shall-not-be-mentioned-by-name. In addition to copious reading, I’m indulging in a bit of paper management, something which I tend to ignore the necessity of for months at a time. This activity chiefly entails clearing off a desk I no longer use, famed dumping ground of mail that may or may not require saving and paper scraps scrawled with cryptic notations that I must now decipher in order to determine their value. But it also extends to shredding old writing: abandoned manuscripts, hard copies of blog entries, failed stories, and handwritten pieces that have since been either typed up or rejected. Destroying my own words gives me secret pleasure (well, it’s no secret anymore). So much of what I’ve written is dead to me, and I am merely finalizing that. The end of the year is a good time to do this. One desires a clean slate, at least on some levels. We are of course multi-slated individuals, and not all slates require erasing.

Yes, so here I am talking about the weather and my fascinating domestic life. It’s not what I wanted to write about, but I have not figured out yet how to write about what it is that I want to write about. Oddly enough this past summer was more fertile for that, so perhaps the heat is good for something after all.

Playlist for above activities and subsequent transposition into words:

Universal Order of Armageddon – Discography
Sleep – Volume One
Charles Mingus – Mingus Moves

possibility of foam

If buried all but traceless in the dark in its energy sitting, drifting within your own is another body—Anne Carson, “Seated Figure With Red Angle (1988) by Betty Goodwin”

There is something about living in a city, and it has to do with the surroundings being artificial, constructed by humans. Here we sever ourselves from real nature. Here what nature there is persists under duressit may even seem to be a thriving minority, but it will always be the minority. The muted signs of seasonal change vagulate. The constant reminders of the hubris of so-called civilized people swarm in smothering tones. Callousness blankets us. The automobile serves as master and slave. I am concerned.

There is another body inside of my body.¹ And it is drifting. And it is all but traceless in the dark. Whose body is it. Is it mine. Or does it belong to someone quite different.

It is an unfortunate thing to recognize that you are not one who is meant to live in such close proximity to other humans. And yet here you are, aren’t you.

John Stabb from Government Issue sang:

In that comfortable rut again
Goals for the talking man
Outside lies a presence
But a lonely spirit’s walking rut

And he can’t get out
Man in a trap

Deeper things getting direct
Empty social life’s a wreck
Weather and insects tonight
Happiness in black and white

And he can’t get out

Sometimes we come to embody the lyrics we listen to in our youth. This is neither here nor there. It is life. I think we’re all a little bit surprised when we get there. Or here.

Let’s find more creative ways to fail. And write about those ways in more creative ways.

Anne Sexton wrote:

The silence is death.
It comes each day with its shock
to sit on my shoulder, a white bird,
and peck at the black eyes
and the vibrating red muscle
of my mouth.

Anne reminds us that silence can be as menacing and intrusive as noise. A reminder that we are all out here flailing about. And some of us don’t make it. Like Anne herself. Some of us sink beneath the surface, our lungs filled with shards of the little brittle things in life. The ones that drifted beyond our reach, slow or quick, only to be breathed back in with fatal heaving breaths.

Recently I spent a fair amount of time writing up a review of a show I went to the other night but I lost interest. It suddenly seemed unimportant. Literally as I was writing it, I felt the words spelling out into nothingness. The only point of interest remaining when I finished was a question: What do we want from our rock stars? And do we even want them to be stars? I don’t go to see live music much anymore and rock music even less so. But this question startled itself into my mind and would not leave. Music once loved can be tainted. And how a band presents itself to its audience can either win me over or leave me cold. These are the lessons I learned. Outside the womb can be harsh.

There is foam² spilling out here. As winter prepares to wrap us in its icy sharp arms, I am awash with foam. And it may never dry.

___________________________________________________

1. See also: this post

2. For more on foam, see Anne Carson’s essay “FOAM (Essay with Rhapsody): On the Sublime in Longinus and Antonioni,” originally published in Conjunctions 37 and reprinted in the book Decreation (2006).

sorry but this person is dead and could not answer*

In the calm before this storm Foxtrot yet wanders the sky, shining its central eye into my hidey-hole. State of emergency in a place riddled with emergencies, a place where every day is an emergency and we pack our kits in our minds just to make it to day’s end. Listening to songs about erasing it all and hearing the calm outside. And we wait for wind. And we wait for rain. But right now all I hear is you breathing, on the floor, in black-and-white pose.

What will come in another day. Another two. I don’t know. It’s a time of year I do know. It’s the beginning of another end. I used to not even think about it. There have been so many other moments. But can you name just one. I see so many in my mind but I doubt I even lived them. Spectators spectating, dissolving from others’ memories before they are even written across the cerebellum. And the brainstem builds our dreams. And it also tells us we are hungry. But can it know when we are hungry for our dreams?

A long time ago there was a band we went to see in the bottom of a funeral home or maybe just a church. This band’s name was Sarabellum. We huddled on the green carpet and watched and learned. This memory of Sarabellum remains imprinted, though not on my cerebellum, more like my cerebral cortex, likely the prefrontal. So many lobes, so little time.

Where is that liferaft of hair I built. I will need it when my basement floods. I will need it when we are gone and all that is left are the strands of your hair I find everywhere. I will need it to ride out the crescendoes of noise trying to drown out all other sounds. I will float on sound, on my raft, like Huck Finn, down the Mississippi metaphor. And maybe someone will sing this song for us when we are gone. Maybe when this song erases everything else, it will keep on playing and never stop. And it will be us and we will be it and that is all.

*Google Image Search leading here, where this image does not exist

under the hood, or why employment sucks

I look at her and I think elven. I look at him and I think trollish. Can we agree to populate a new Middle Earth? A magical world beneath the earth’s crust but filled with yellow light and many moons, odd trees with moving limbs, fens and fields. I found the path, hidden in some words, beneath a curious pile of stones. It’s the wanting that matters, never the getting. The emptiness that follows never fills, so hollow, so immediately expected.

URGENT POSTSCRIPT: I started writing this, during a meeting, on my notepad beneath a drawing of a giant eye and a drawing of a unicorn that I labeled ‘uni-bull.’ The eye was labeled ‘the eye.’ After some time the unicorn grew spines on its back and a spiked battle flail for a tail; meanwhile, the eye took on an increasingly menacing look. The whole thing started when I noticed how one of my new coworkers looks remarkably elven and I began to imagine her ears growing to points up through her hair. See below for the Actual Page™. As you can see, the text has gone through some revisions since it first leaked from my pen. In the notes, ‘STP’ [sic] refers to the band Steel Pole Bath Tub, which formed in Bozeman, Montana. ‘Pig Latin’ is a reminder to myself to look up an online Pig Latin translator (for a private project), of which I found two: here and here.

Note: This post was composed during repeated listens to the unreleased Steel Pole Bath Tub track ‘Unlistenable 1’ available on the band’s website.

© 2012 S. D. Stewart

Important meeting notes

of dic·tion·ar·ies & den·tists

© 2012 S. D. Stewart

This row of dictionaries looms over me as I work, though I don’t have occasion to consult them as much these days. I used to do a lot more translation work as I cataloged. But my job has changed over the years, perhaps for the worse…it’s hard to say. I leave the dictionaries there to comfort me. I do still use the English one a lot (favored escapist technique). Sometimes the French and Spanish, rarely the Portuguese, and never the Swahili.

From the edge of the deep green sea, we open our arms, raise them high and trust, even when apart. Cut to end. Many nights, many years ago, I fell asleep to that. I like to think it informed my dreams. These days it’s everything.

It is Monday and I have a dentist appointment. Every time this happens I am unsettled by the bracketing of my life into six-month periods between dental appointments. I look back and wonder at the flatness of it all. Is this the right way to be going about it. Is it. Isn’t there some wormhole I could squeeze into instead. Some squirrely nautilus-shaped thing?

People are always leaving. And I miss them in a slow aching way. It’s been some time since I was the one leaving. A long time, actually, when you consider how often I used to leave before. It is doing something to the typewriter ribbon of time, I think. The dental appointments, the ink fading with each tap of the keys. The things we do at the changing of each season. Subtle adjustments absorbed, tarnishing the new, loss of notice to the details.

I like my dental hygienist. She is Eastern European—Polish, I think. I went to Poland once and in the short time I was there I found it to be a sad and beautiful country. That may have been due to my choice of activities while I was there. I like my hygienist because she’s quiet. I come in, we exchange cursory greetings, and then we get right down to work. Or rather she does; I just lie there and stare at the painting on the ceiling of a rowboat floating in the clear blue shallows. There is no banter. I hear the other hygienist and patient nearby chatting up a storm and I wonder how they can carry on such steady conversation while one of them has both hands in the other’s mouth. I wonder about my hygienist sometimes. Does she have a family, what does she do in her free time, that sort of thing. I often find myself wondering in this fashion about people with whom I have a narrow single-faceted relationship like this. But I would never dare ask her these things. And besides, most people’s lives are less exciting in real life than in imagined life. I hope they don’t take my hygienist away. At my last dentist they were always switching hygienists on me and it irritated me to no end. Then one time I totally spaced on my appointment because I always count on those reminder calls and they didn’t call this time. I realized about two weeks later or so that I’d missed it and that they’d never followed up. So I figured if they didn’t care that much about me as a patient that I’d find a new dentist. So far I’m pleased.

If I left, I’d have to get a new dentist and therefore, a new hygienist (I care less about the actual dentist because one rarely sees much of one’s dentist unless one’s teeth are terrible). If I left, someone else would claim my stack of dictionaries. If I left, these particular mosquitoes and their vile descendants would find someone else to bite. If I left, I’d be somewhere else, like I often think and dream about, but it wouldn’t be somewhere else for long. It would be like here, except there, because that is always what happens.

enter title here

As a child, Ravel’s Bolero touched me deep. Something about the repetitive melody building as it does to a climax. The drumming particularly struck me, so primal, stripped-down, staccato. And isn’t life so like this for a bit, at least. A crescendo to a climax, but then…a plateau. And what then, what then. The topography of the flat plain bewilders. The plain en plein air. The air all comes at you at once, with no rises to slow it, or alter its trajectory. This tundra is of our own making, sculpted and smoothed over time. Or is it. Maybe it is a figment of a voracious imagination, one that eats a life up one slavering daydream at a time. Perhaps this merits further examination. Or not. This isn’t some academic treatise. No one peer-reviews this blog, that I know of.

I drove past the flea market today and they had a new professional sign installed atop their sign pole. It read: Internet Sweepsteaks. I remembered a couple miles down the road that I had my camera but I did not turn around. Hence I can offer no proof of this gaffe.

I have a memory of lying on my bed as a child, listening to Bolero come through the wall from the hi-fi in the living room. But let’s not get all Proustian here.

I chased a bird today. I said I would not do that but I did. So I didn’t find it. I did find model airplanes. And in one of my phagocytic daydreams I shot them down with my model machine gun. A kingfisher objected to the model airplane. Well, of course. It flew overhead, calling in fussy agitation. In my head I am flying a model fighter jet from the cover of a waterbush. My jet is fitted with tiny model machine guns operated by tiny model soldiers. My tiny model army shoots down all the other model planes and I continue birding in peace.

Someone is singing fake opera down the block. This is unfortunate. I am listening to Nine Inch Nails for some unknown reason. Ah, I remember now. I came upon a NIN album in the car’s CD player. I turned it up loud as I drove slowly down The Avenue with the windows lowered, like I was 17 again. So I’m listening to that first NIN album now, because that was a big one back in the day, I won’t say which day because we’ve got to keep our occasional secrets haven’t we. And I’m trying to drown out the fake opera, but it is persistent fake opera and it refuses to be put down. Also, I’m finding that I’m not really into this album now, especially when he kind of fake-raps. In fact, I would postulate that this was a grave stylistic error on his part. But we all do things in our youth that we later come to regret. And so, perhaps this fake opera singer is also young and will undoubtedly come to regret the torture she put us all through one late September day.

And to paraphrase a sample from a Man or Astroman? song, “well, that’s all over now.” I took a break, between last paragraph and this, during which various events occurred. For example, I watched an episode of the new BBC Sherlock Holmes series. Oh, and I went to the arboretum with Farley. Now it’s just crickets, I’m afraid. Crickets and slugs, as per usual. Plinking out some tunes on my alphabet piano.

I enjoy aggressive music as much as I enjoy quiet melancholic music. It’s essential, you see, to achieve a balance. To be stale, it’s the yin and the yang. But really, each person has its halves. Call it what you will. Semantics notwithstanding, let us not deny our dark sides, or for that matter, our light ones. I embrace both, though it may not be obvious to the general populace. But I am not concerned with them. I am concerned with touching the thing inside. It requires a delicate touch. And it is finicky in what type of delicate touch is required.

I used to go to parties. In my experience that was a mistake. End of story.

I am now listening to Teeth Mountain, a defunct local band whose tribal drumming and frenetic guitars I enjoy. Again with the drumming. One or two classically trained musicians were involved, I believe. Now said musicians play in another band, Horse Lords. I am interested in musical noise that transports one’s headspace into alternate galaxies. I support purveyors of such racket. I support many things, quietly and unobtrusively.

This may be over?

we cut our visions with two eyes

I do get bored, I get bored
In the flat field
I get bored, I do get bored
In the flat field

Observe the subject with one hand covering the right eye. There is no movement. Not a flicker. Nothing. Whatever is inside leaks out, gurgling, gargling, a choked-up phlegmy mess. A valve would be…useful. Or would…it. There are many emails. Please refrain from using Reply All, people, for the love of Peter, Paul, & Mary (not my love, mind you, but still). So many pointless useless emails. A flood, if you will. And I delete them. But this is not what I am talking about with the leaking and the choked-up mess (though I can see cause for confusion there). No, that was just an aside. Let me tell you a story. A long, long time ago, it seems like maybe it never happened or it was someone else, I was lying on my bed and I was making discoveries that I knew were important. Altering the trajectory of a lifetime of troubled thinking, of inward pointing. It’s hard to say, yes, it’s hard to say what exactly altered the arc de développement. [Now I don’t really know much French, but I love words of all persuasions…I do not discriminate…I am not a word racist {internal note: that doesn’t even make sense given the meaning of these words (words are not classed by race, although they are classed by class, a different kind of class from that which is sometimes tied to race, though, with less political overtones, perhaps), but that’s okay…consider it a colloquial use…or something…and I see that I am falling into ellipses again]. Anyway, as the breeze blew my curtains around and my red carpet screamed up at me, why am I red, oh, why am I red, what sudden alarming effect am I having on the growth of this boy into a man-something, I wrapped my head in paper, poked holes in it near my ear-holes, and opened them to new exciting sounds. Inside of me often felt weird and funny and I knew, I knew there was something there. Something only I could touch.

And in the words of S.E. Hinton, whom we should all know and love, that was then, this is now. I am alone here. No one comes to visit. My superior is away and suddenly I realize she is one of few who visits. I’m not doing anything. I am lost. I don’t know what to do. This is not groundbreaking research, mind you. No one is selling this nonsense to the corporations and getting rich, I assure you. We’ve been through this before. I just wandered off into the weeds somewhere back there, maybe 20 years ago or so. Or was it 20 minutes. My years and minutes frolic together. What really happened in 20 years, or 20 minutes. Very little. A lot of touching the thing inside. That’s about it. And now it is spilling out, sort of like slippery entrails only people on the fringes savor. I cannot stop it. But you should know that nothing remains the same. I’m in here changing the words around. Everything is in flux. Parenthetically, flux is a good word. I like flux. Marty McFly reports the flux capacitor is fluxing. Marty, you bastard. I am old. Where is my red carpet.

I find it exhilarating to erase my own words. Huge swaths of thoughts I may have deliberated over for hours, gone just like that…I am giddy over this. Maybe there are too many words in the world. And taking them away is important somehow. Everywhere people are vomiting up words and few people are listening. They may listen for a bit here and a bit there, but they move on. The news cycle is like REM sleep. Eyelids flickering, your lips shuddering, no noise emitted, no recollections of what went down. I feel sick from it all, gagging on dry word chunks clogging my throat.

We are at large. That came into my head, just now. It’s like they say, the suspect is at large. But really, we are at large. We are out there in the world, large. We are bloated, like the giant helium balloons floating above a parade. There we are, large, waddling down the streets, a few feet off the ground, full of ourselves. Other smaller people, in other countries perhaps, are running with sticks below us, propping us up, praying that we don’t deflate.

At work the IT team eats in the lunchroom. Very few people eat in the lunchroom, I think. Well, they are in there being all rowdy, expressing their opinions loudly to each other. This is not how they are while embedded. Only amongst themselves do they feel free to expound on their theories about Kanye West, for example. In meetings, they are meek, quiet, often sullen. In the hallways they nod, perhaps say “Hey” but nothing more. None of the effusiveness displayed in the lunchroom. None of that. They save that only for each other. How nice it is to belong, isn’t it?

Yes, indeed. Now the time has come for me to hurl myself outdoors to forage for cookies. Please leave a message at the beep. [Psst…I’m back. It smelled like mulch outside.]

In my yearn for some cerebral fix
Transfer me to that solid plain
Moulding shapes no shame to waste
Moulding shapes no shame to waste
And drag me there with deafening haste

*Title from Misfits “Cough/Cool.” Prelude and postlude from Bauhaus “In The Flat Field.”

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