anagrams = an arm gas

There is a Grand Prix auto race going on in front of my work today. Cars that reach speeds of 175 mph are driving on the city streets. That’s a good idea isn’t it, isn’t it. They sound like giant alien mosquitoes, whining at high pitch. Where is my giant fly swatter. Oversized things are always funny. You should know this. Any object that is much bigger than its normal size is innately humorous. This is some sort of natural law, I believe. I’ve seen forks that are like five feet long and I immediately fell on the floor seized by paroxysms of laughter. There is no denying this. Think about those giant foam cowboy hats. They are not funny because they’re foam; they’re funny because they’re huge. Let’s just agree to agree on this and I won’t say anything more about it.

As you’re pondering very large things that are usually smaller, here are a few anagrams:

EVERYTHING IS IN EVERYTHING = THE TINY GREEN IVY HIVE GRINS

AMERICAN HANDBOOK = A MOAN CHOKED BRAIN

ELF GENDER = FERN LEDGE

Today is Thursday and I just ate some pretzel sticks. This means it is the last day of work for me. Hooray. I feel the shackles loosen. Soon I will hulk out and roam unshackled for four five whole days [just made an executive decision to also take Tuesday off]. I thought about taking today off, too, so I could go birding because it’s been awhile since I’ve visited my bird friends. But I decided to come in and make anagrams instead. Plus the creeper carpet is creeping my way and I have a few last minute preparations to make. I am sure I will see my bird friends this weekend instead. Or Tuesday.

This afternoon I plan to drink yerba mate again and do some things. After that who knows. I might write a short play. As F.K. would say, don’t touch my chains.

to me, it’s not better than the weather

Waning, waxing, waning, waxing: the rush and the push of mood from hour to hour to day to day to week’s end and to the moon. Reading F. K.’s diary night by night…sinking fast in the horror bog of familiarity. A morass of similarities. [Will I also get TB. Where’s my Swiss sanatorium.] Writing, not writing, writhing, writing, not writing, the endless breakers rising and crashing against this battered cranial jetty. The crushing repetition of my own inspiration. Heat’s ebb and flow, the dying summer exhales rank and humid rattle-breaths as it’s painstakingly strangled by the coming fall. An ugly death, for sure. The work not done around here could fill a hundred empty trucks, on standby, prepared to haul off a life’s accumulated evidence of avoidance. I, the weather-crazed architect, survey an empty expanse of years, so carefully orchestrated, so carelessly implemented, and on every day I rested. And on every day I rested. And on every day I…clamp down on the cause of defeat with mighty waxen jaws, summer’s flame licking holes in their false walls. Caving in on itself, everything is. Last night again was epic dreams I failed to describe accurately in my journal. Just weak fluid flowing from my pen, sketching a toothpick framework for what is becoming dangerously close to more exciting than what I describe here. That is, intricate nothingness. That is, blank walls of clear shellac taped off and rollered with exquisite care, attention paid to the most glaring lack of any details…a veritable Sistine Chapel ceiling of nonexistence. So proud I am for the big unveiling. [Sound of emergency exit door slamming shut.]

Now I drink yerba mate out of a wooden gourd. Now I reflect on how cigar-smoking guy had a lady friend with him today. Not a loner for long. They sat in those weird half-chairs that have no legs. Just a seat and a back and nothing else, maybe arms. What will they think of next. Cigar-smoking guy was not smoking a cigar. His bike was there, but his lady friend must have walked. I sat on the other side of the locust trees flipping through some literary journals I’m supposed to review. The air felt drained of moisture. This pleased me. All around, bands of men in monkey suits capered about in the grasping thralls of machismo, no doubt bandying their latest conquests in the spheres of sex and business. Strip off their power suits and we would all laugh. Or would we cheer. Or arrest. Recall the Naked Rambler. Corporate embrace of full nudity: I’d like to see it. Level the playing field. No more power coursing through expensive Italian fabric. I’m nude, you’re nude, let’s close this deal and go get drinks. High fives all around. See you at the bar.

gather to hear the sound of barrel scraping

Across the street from work crouches a vicious corporate bookselling machine. I ventured in there during my lunchtime walk to see if they had any Anne Carson books that I could read while loitering in their cavernous stacks. Their poetry section looked like it had been gleefully ransacked and subsequently rearranged by illiterate trolls. Seriously, there were kids’ books shoved in there, completely randomized alphabetization, and all kinds of other unspeakable chaos. I almost threw up. The only Anne Carson book I found was Nox but it was sealed. Well, that and Antigonick, which I did flip through and find intriguing. Meanwhile, behind me in the video section, two middle-aged guys were tag-team harassing this clerk about obscure psychotronic films. It was totally absurd. They just kept badgering him. I almost heaved Nox in their general direction. The clerk kept his cool, but I’m sure he was seething inside. Then I stood up too fast and felt dizzy so I left.

the one and the other in monday denial

Hello Other!

Hello One.

What’s on tap for today? asked the one.

Please don’t use that phrase. I don’t like it, said the other.

Certainly, replied the one.

Are you feeling badly? asked the one tentatively.

The other sighed. This banter is beginning to read like a Garfield comic strip.

Oh, right, replied the one. Garfield hated Mondays! He would hide under his blanket in his cat box. Not a bad idea actually.

Yes, agreed the other. How do you cope with Mondays, one?

Well, I hang out with you, of course, said the one. But I also read books and listen to music! I’m not very productive at work on Mondays in case you were wondering.

Well, that’s your business, said the other.

Perhaps they will fire me, said the one.

It’s always possible, replied the other.

I think it would be a relief, frankly, said the one.

Frankly, Mr. Shankly, said the other.

This position I’ve held…It pays my way, and it corrodes my soul!! sang the one.

I want to leave, you will not miss me…I want to go down in musical history!! shouted the other.

Wheeee, said the one.

I had a lot of weird dreams this weekend, said the other suddenly.

Dreams are good. I love them! said the one.

Dreams repel Mondays. They are the anti-Monday! said the other, excited now.

What else can we do to destroy Mondays? I want to smash them to bits! said the one.

Maybe we can sneak up on Mondays…like on Sunday nights, and stab them in the back with an ice pick??!! shrieked the other.

Yes! Yes! Kill the beast! Cut his throat! Spill his blood! shouted the one.

Wait. Is Monday the beast…or the deserted island? asked the other.

Who cares! screamed the one. Slit its throat!

Okay, settle down, said the other.

Why?? You started this! yelled the one.

Here, have some pretzels, said the other.

Okay. Pretzels are good, replied the one.

This conversation never happened, said the other.

I know, said the one.

More of The One and the Other.

review: bill callahan ‘apocalypse’ film tour

Bill Callahan showed up in my city last night with a filmmaker named Hanly Banks, who had filmed Bill on his Apocalypse tour last summer and made a documentary about it. They showed the film outside on a giant inflatable screen that looked like a moonbounce. This was behind an art gallery in the heart of the city. Trees grew out of the surrounding abandoned buildings. Literally out of the walls. Given time and an absence of interference, nature always trumps concrete and brick. Think how beautiful that could be. A local brewery served beer. I was there with my friends. After the movie, Hanly Banks answered awkward audience questions, such as “Did Bill’s laid-back nature help offset the mundane aspects of touring?” And “Do you feel that how you captured Bill’s personality in the film is how he really is in person?” Not that I’m one to talk. I sometimes obsess in a similar manner over writers, just not so unabashedly. I cultivate my obsessions secretly. Jung would likely not approve.

I’d never been to the art gallery before and when I looked it up on the internet the map made it unclear which side of the street it was on. When I arrived in the vicinity, I crossed the street to the other side, thinking it was over there because of the grassy lot that looked appealing for movie-watching. Then I turned around and looked across the street and saw Bill Callahan moving around inside a storefront. Bingo.

After the film, Bill played a few songs. He joked that he’d been hoping for more screen time in the film. He also mentioned a strange object he’d seen in the sky a few minutes before, like a fixed light, but with a body is what he said. It was probably Foxtrot, I thought to myself. After his third song, he said good night. People kept yelling for an encore, but I knew he wouldn’t be back. Five bucks for a film and three songs was a good deal. I was content.

The film made me think about how many non-zomblobbies there are in this country, doing their things, just trying to make their way in the world. It lifted the bleak veil a bit and let me peek through to the golden light. But then there was everyone with their devices, so frantic to capture this moment as it was occurring. Why can’t they just sit back and enjoy the show. Why with the constant recording of everything that happens around them. When you watch it later, you think, “there i am with my device, recording that guy on stage and updating my status to reflect how much fun i am having.” [Note to self: stop thinking about this]

But the golden light, remember the golden light. And now these intoxicating scents fill the space around me. I drowse into a trance of sensual overload…Labradford’s feedback washes onto the shore of a delicate lack of sleep, coming rain foretold in the shaking cottonwood leaves, rare essential oils pungent and desirous unravel me…and I am gone, like Rumi, on a visit to the elsewhere from whence my soul comes. Or…maybe I’m only going downstairs…

over time, a mask is recognized

Foxtrot’s tractor beam halos the sidewalk slug trails. We linger in limbo near the antique fan house. It is night. There is no reason to dispute this is the time when I feel safest. Moving in shadow, yellow light spilling across the floor. Motives murky. Fiddle and banjo sound like always during this brief time. In Rhinoceros Eyes the props speak to Chep. He’s not happy about it, mind you. But what can he do. He’s an idiot savant, after all. Or is he. Maybe if you look hard enough at any one single thing, it will begin speaking to you. Dim light, that’s what I’m about. Except when reading. of course. I like a bright light on the page, but dim light everywhere else around. Smoking oil lamps and waning firelight.

The antique fan house intrigues me. They are everywhere. So many fans, none of them moving. It’s pleasantly absurd. I like walking around late night and there is some light in the houses but you don’t see anyone. God, if you saw just one person it would wreck it all. Maybe. I take the corner to the alley and wouldn’t you know it those dogs are out on the deck. We disturb a man and his cigarette, the dogs caterwauling across the way. The city’s branding iron on your eardrums. There is no quiet.

There are others skulking with their dogs. There always are. Skulk, skulk, skulk. We slither down the sidewalks, following the faint slug trails, glistering in the sodium glow of street lamps. Chep has trouble talking. He is awkward and what has built up in his mind is another world not fitting right with this one he’s operating in. It doesn’t matter what those props tell him. Maybe it’s all just a bad dream. Sometimes it is. Sometimes you wake up relieved. And not just when you’re aging, the days running off like lost sheep on the edge of fading summer pasture. I mean when you’ve seen the bottom of the haunted well in your dream life and lived to wake the next day. Morning looks so good then, like a doctored photograph.

It’s happening again. A man in a smiling bag. New shoes. Ha-ha…it’s all still there. The repetitive inputs of our lives, be they intentional or not. You can’t rip out hard wire. But you can open the window and let in the night air. You can do that. And what does air do but move through you. It moves through you like the shadows of night and does no harm. Not like a person. Not like a talking prop. But like the song playing down the credits. And the yellow light all around. And the glass in your hand. Like that. It moves through you like that and there’s nothing like it in the world.

homophones

I walked on the homophone path today. Here are two of my favorites.

© 2012 S. D. Stewart, Homophone path

© 2012 S. D. Stewart, Homophone path

I saw a man with a large Dallas Cowboys tattoo on the side of his calf. As we neared Dick’s Last Resort, his companion spotted the statue of Dick and exclaimed, “Oh, look!” and steered her man over to be publicly humiliated while consuming his afternoon repast.

Later I heard a young woman say, “She’s going to a Match.com event there tonight.”

When I returned to the lobby, a man saw me coming and did not hold the elevator. He did not look at me, for he was ashamed at what he was about to do, but I know he saw me. I then held my elevator for the next person. Sometimes I see people pushing the ‘close door’ button as I approach the door. Sometimes I stick my foot in between the closing doors in defiance. Every day is a skirmish in the war of life.

There are blobs in the office today. I just heard them capering in the hallway. One blob came into my boss’s office while we were having a meeting. This blob knows there is normally a candy dish on the table, and so she looked for it but it wasn’t there today and so she turned around and walked out. Her expression did not change from one of intense detached focus the entire time. Nor did she speak. Good blob.

possible kalopsic casualty

Last night I swam in a sea of almost-sleep, drifting in and out of almost-lucid dreams, all of which evaporated upon waking. It was the fan, I think. The fan instead of the A/C. What was I thinking. The Siren song of dropping humidity dripped its sugar-sweet serum into my ear holes. Damn you Weather Sirens. It is Wednesday now. My bird-of-the-day calendar displays a sleek Green Kingfisher. I replaced the bulb above my office plant. We are getting new green carpet; it smells bad and looks like it was torn out of some swinger’s 1960s basement rec room. I cringe at the thought of it creeping in all molester-like into my personal office space. My feet will never be the same. Violation! Violation. I am listening to the liferaft again. So help me, I cannot help myself. Do you know what I mean. Do you. Do you really know. I attended a meeting this morning. I was 9 minutes late on account of I was waiting for the coffee to stop brewing. Also my coworker and I were busy trash-talking the last 4 years of our professional lives. I am back to drinking too much coffee again. But I drink the special tea after lunch to try and repair the damage. It appears to work, but maybe not since there was the almost-sleep and that is a heavy consideration. I am eating my lunch now and not smoking a cigar. But I bet that guy is. I’ll bet he is. The liferaft has segued into the bedside table. That is where I keep the 5 books I am currently reading, most of them Kafka-related. But there is Jung, too. And Tessimond. All of my dear friends stacked in a pile within easy reach. With my Moleskine. Sigh. Last night while out walking Farley we saw a cat. It was not a metaphorical cat that might or might not be in a box, dead or alive. It was a real cat and Farley was interested. He stared under the car long after the cat had run back across the street. I want a cat so bad. Nearby to where I live a train went off the tracks in the dead of night. Two college girls were up on the bridge tweeting photos and they were buried under a mountain of coal. They died. I’d like to think this exposes the ills of social media, but I’m not sure. I feel bad about this. That’s why I listen to the liferaft so much. It makes the sounds that I feel inside most of the time. I am perhaps a blurred model of myself. I walk outside and brush my hand against the lavender blooms and surreptitiously sniff. Hey, it’s that guy who is always sniffing his hand. Yes, that is me. I enjoy touching things in nature that look soft. I find them irresistible. I find much of what is around me irresistible. The rest of it can fall off the planet for all I care. The Internet ruined my concentration. I enjoy chasing rabbits of information down their hidey holes. That is really what I do. Often. Sometimes I pass on what I find to others. Sandy Berman taught me that. He is a good man. We used to write letters back and forth. I was an over-excited new library school student. Now I just search for stuff on the Web. My idealism is easily trod upon into a gross paste that I plan to smear on the molester carpet when it arrives leering and panting outside my office door. What you don’t know is that I was just outside touching the lavender. Literally. Between that one sentence and the next. What do you think about that. My hand smells so fucking good right now. Outside there was a truck with bins on the side dispensing free energy bars. The orbs and their blobs were shoving their fleshy flaccid fingers in those bins so fast. But they are healthy nutrition bars. Ha! That is a fucking good trick! I feel so alive today. It made me walk fast. Surf the mania. I am 100% alive and 100% dead ALL THE TIME. I am petting the cat and its back is arched. I’m an out-of-the-box solution, suckers.

this just in: what todd akin meant to say

“It seems to me, first of all, from what I understand from doctors [my frat brothers in college], that’s really rare. If it’s a legitimate rape, the female body has ways to try to shut that whole thing down.”

In college, Mr. Akin was a member of Phi Gamma Delta (aka FIJI), a fraternity with a well-documented history of rape tolerance, e.g. here, here, here, here, here, and here.

The genesis of our beliefs lies rooted in the loam of youth. Those roots are tough to cut.

lunchtime walk

A man who works in my building rides his bike across the street to the grassy patch in front of the seafood restaurant. There he sits on a portable chair and smokes cigars during his lunch break. I find this an interesting pastime.

People from other countries stroll on the promenade. I can usually spot them before I hear their foreign tongues. It’s usually the subtle or not-so-subtle differences in fashion that tip me off. Others just don’t look American at all. Something in their bearing or gait or facial expressions. Less fleshy and stupid looking.

Tourists swarm the place because it’s the high summer season. Overheard for real: “Should we do Hard Rock?” Imagined rest of conversation: “It’s so nice to go to other cities and see all our familiar places. If things were different it would be scary. Oh look, it’s the Cheesecake Factory. I hear they hate gays just like all my friends back home.”

Here we have the National Aquarium. It’s not like Sea World, but it still makes me think of that episode of The IT Crowd when Roy is dating a girl whose parents died in a fire at a Sea Parks (the fake British equivalent of Sea World). He becomes obsessed with figuring out how, with all that water around and considering the concrete stadium has a total of 12 exits, they could have possibly died in a fire. Much like all IT Crowd episodes, of which I’m not ashamed to say I’ve watched at least two if not three times each, it is hilarious. Of course it’s British. The mainstream American humor palate is so much less refined.

But I digress from my walk.

The harbor smells like a rancid cesspool. I hope the visitors bureau is working on that.

Many women walk around with babies attached to their chests like parasitic blobs.

I don’t walk long. It’s important to strike a balance. If I’m outside too long I feel worse when I go back in. However, at least the temperature in my office is no longer hovering in the subarctic range. That is a plus.

In the lobby I assess the elevator situation. I hate riding with other people in an elevator. I hate everything to do with elevator use, but I will not go into it all here. Building security keeps the stairs on lockdown so even though I only work on the third floor I’m supposed to ride the elevator every time. You can go down the stairs (not up), but according to the sign on the door you’re not supposed to do so unless it’s an emergency. This enrages me. I still go down them, as do others on my floor. Anyway, if there are a lot of people milling around waiting for an elevator I usually go to the other side, which is what I do today. I’m about to enter an empty elevator when a man comes running across the lobby. How can anyone be in such a hurry after lunch that they can’t wait two seconds for another elevator. I’m embarrassed for him. He chokes out a breathless ‘thanks’ before fiddling with his smart phone. They all do. Smart phone fiddling has replaced watching the floors light up on the sign above the door as ‘the’ activity to do in an elevator. I stare at the floor.

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