[First in a series of ekphrastic responses to the films of Jeff Nichols. Second.]
Acoustic melancholy drenches a rural Southern town. Fishing in a flat green world, water spread out everywhere. Open skies. A slow train passes through downtown. What it’s like to be trapped in a town for life. Yellow light and dogs and decaying industry.
A dead father. A funeral (“I said some things”). Redeemed but not by those left behind.
A walked-out wife. A pair of brothers. Acoustic melancholy. Clouded sky over water. Shirtless males netting fish. The feeling you get inside your chest, like a strangling but in an almost good way. Does beauty go unignored.
“What you doing…”
They set up the window unit on the picnic table to test it out. Run the extension cord out from the house. It works, and they sit there, feeling the cool air on their faces.
“It’s not the gambling. She just wants me to stop screwing around.”
One brother living in a van down by the river.
A young son. A blood feud. Two families, one father. Brother to brother.
“Are we all right?” “Yeah.”
“A lifetime is a long time, just for two people.”
“Your brother’s dead.”
Sorrow will always bring us together. She climbs in bed with him. Is it so often how we try to erase our pain, with new pain…
The pavement is hot. And yet I sit on it and I wait for you. I throw away my cards for you.
“I didn’t know they were there.”
“You raised us to hate those boys. And now it’s come to this.”
Silence.
A tent is something more than a tent after the unchangeable happens.
“Why is this happening?”
Cotton fields, cotton fields. They’re gonna crucify you, in those old cotton fields back home.
“Son’s all I have now. I just want to protect my brother.”
“I’m gonna put an end to it.”
[ominous strings fade to the upward lilt of the guitar]
acoustic melancholy
and the light falls across the porch. and the light falls over what’s left.
there are songs to tell us every way we feel…
s. d. stewart 