metagrobolised

The air swelled with moisture. It was as if there was no room left for anything else in the air, and so it hung like a boundless and invisible damp rag over this world. The people were consumed with each other, like small fires at the point where the chunks of wood begin to no longer hold their shape, instead surrendering their physical form to the raging heat. Their borders crackle into fuel for an expanding future. Can you smell the smoke.

Somewhere a mallard quacked its indifference and from the shrubbery an itinerant towhee weighed in on the issue, which by this point was beyond anyone’s comprehension. Other voices in other languages chimed in as the wind rose to whip us all into submission.

All of this is noticed, all of this is free, things we see but cannot touch, the feeling of watching something out of reach, a sound unheard but by a few.

indicators and implications

Water main break sends me scurrying yesterday from the building. I tried to stay but the fire alarm went off. I think they were trying to flush us out. Begone, you office trolls! It seems there are water mains breaking everywhere in this city. Our aging infrastructure simply cannot handle a violent shift from warm to below freezing to warm again. Get home, pull up the shade to a turkey vulture gliding overhead. I resent the implication this bird is making toward my general state of liveliness. I am not dead. It’s simply not true. Maybe the vultures should go feed on all the dead water mains instead. Crunch, crunch.

This may sound familiar to long-suffering regular readers, but how one reacts from inside an elevator to the sight of another person walking (hurrying, even) toward said elevator, defines at a base level the kind of human being one is. Most other indicators are largely irrelevant to me; they require too much interaction, too much time to reach a satisfactory conclusion. If I want to know in an instant, a blinding flash, what kind of person a certain human is I will hurry toward the elevator in which she or he stands, looking out at me with either compassion or disgust, and I, at her or him in return with either gratitude or disappointment. What transpires in that brief moment shall inform me of what stuff they [sic] are made. I am reminded of my experience at the revolving door the other day. The simplicity, the stripped-down bareness, of this moment, two humans moving in opposing directions, yet united in one shared motion to move themselves, and each other, forward to where they needed to be. To ignore the sublimity of these moments would be tragic.

late rain world

The world was late today. I don’t know. I was late. But I wasn’t expecting the world to also be late. I had hoped for a leisurely ride in on mi bicicleta. Instead there were cars everywhere. An automotive horror show. Maybe it was the rain. Rain slows the world to a crawl. Like slow motion, creeping and crawling. Not me, though. I was pedaling quite rapidly, in fact. Bike commuting reminds me I am alive. Otherwise I might think I was a walking corpse. Or a dancing one. I’m skipping a meeting this morning. I don’t care. It empowers me. Robert Walser would skip it. Walser wouldn’t still be here seven years later, though. Walser wouldn’t have made it seven months. Seven weeks, maybe. More likely seven days. He’d be in his attic room writing his soul out on shreds of borrowed paper with a stolen pen. Oh, where is the rain crow. He migrated long ago. Now who will tell us when it is about to rain. I felt the cold rain on my face and knew I was alive. No more alive than last month or last week or yesterday, but alive nonetheless. 2013 dreams have been vivid so far. It’s like there is an arthouse revival series going on in my dream life. I’m liking it. There’s nothing else to report, I’m afraid. Raining, check. Biking, check. Reading Walser, check. No more rain crow, check. Not a corpse, check. Alive, check.

my austrian gorge

I rung in the New Year with a vicious bout of gastroenteritis. It felt like 2012 was clawing its way out of my body. And now that it is gone I am empty. Perhaps it is good to start another year empty. Fill me up, 2013.

People say don’t take your health for granted. Every time I am ill I am reminded of this. For the world seen through sickened eyes is not the same as that seen through healthy eyes. One moves through life with somnambulistic motions. Gone are the little tendrils of thought so often coursing off in all directions. A single-mindedness takes over. I must drink some water. I must lie down. I must walk the dog. I must lie down again. Mere survival. Reading becomes impossible. Too much focus required. Staring into space becomes commonplace. Or glazing over in front of the telescreen. Anything to dull consciousness of the ill feelings.

Yesterday I worked from home. I was not well enough to return to the office, but there was work to be done, and I felt capable of doing it. Besides, the last thing I wanted to do was spread this plague to anyone else. I always find that I am more productive and efficient when I work from home. I’m not sure why this is. It may be that I am able to work in front of a window at home. One might think that this would lead to distraction and daydreaming but such is oddly not the case. I find it comforting. My bird friends come to visit, alighting in the crepe myrtle branches and hopping about on the porch roof. It keeps my spirits up and my mind focused on task. At the office I sit in a dim windowless womb in front of two screens, impassively observing my soul die a laborious death, each email and meeting appointment a tiny wound I am too dulled to deflect (in his typically dark style, Thomas Bernhard once wrote: “Instead of committing suicide, people go to work”).

Coming out of illness now, I am feeling tentative. My diet remains bland and simple. I miss coffee. The world still seems an unforgiving place. Outside the wind howls, chilling my weakened frame. But I can read again, and I find solace in Bernhard’s novel Correction. It is the perfect book for right now, with its hypnotic cadence, repetition, lack of paragraph breaks, dark subject matter. I feel poised above a rushing gorge in the Austrian wilderness.

Perhaps this is the worst 2013 had to hurl at me. Toxins now purged, I feel ready.

Soundtrack to this post:

Red Lorry Yellow Lorry — Nothing Wrong
Shipping News — Flies the Field
Metroschifter — Schift-Ship

christmas eve

It’s snowing here. Imagine cold white puffs falling slanty, clinging to many a surface. I’m taking a picture with my mind and sending it to you through the Aether. Note the female cardinal in the boughs of the cherry tree, a little south of center. She blends in well so you really need to squint. There is also a blanketing of sound that I’m afraid the picture cannot convey. But if you stop listening you may hear it.

I feel a sense of peace today. I hope it’s catching.

enter title here

As a child, Ravel’s Bolero touched me deep. Something about the repetitive melody building as it does to a climax. The drumming particularly struck me, so primal, stripped-down, staccato. And isn’t life so like this for a bit, at least. A crescendo to a climax, but then…a plateau. And what then, what then. The topography of the flat plain bewilders. The plain en plein air. The air all comes at you at once, with no rises to slow it, or alter its trajectory. This tundra is of our own making, sculpted and smoothed over time. Or is it. Maybe it is a figment of a voracious imagination, one that eats a life up one slavering daydream at a time. Perhaps this merits further examination. Or not. This isn’t some academic treatise. No one peer-reviews this blog, that I know of.

I drove past the flea market today and they had a new professional sign installed atop their sign pole. It read: Internet Sweepsteaks. I remembered a couple miles down the road that I had my camera but I did not turn around. Hence I can offer no proof of this gaffe.

I have a memory of lying on my bed as a child, listening to Bolero come through the wall from the hi-fi in the living room. But let’s not get all Proustian here.

I chased a bird today. I said I would not do that but I did. So I didn’t find it. I did find model airplanes. And in one of my phagocytic daydreams I shot them down with my model machine gun. A kingfisher objected to the model airplane. Well, of course. It flew overhead, calling in fussy agitation. In my head I am flying a model fighter jet from the cover of a waterbush. My jet is fitted with tiny model machine guns operated by tiny model soldiers. My tiny model army shoots down all the other model planes and I continue birding in peace.

Someone is singing fake opera down the block. This is unfortunate. I am listening to Nine Inch Nails for some unknown reason. Ah, I remember now. I came upon a NIN album in the car’s CD player. I turned it up loud as I drove slowly down The Avenue with the windows lowered, like I was 17 again. So I’m listening to that first NIN album now, because that was a big one back in the day, I won’t say which day because we’ve got to keep our occasional secrets haven’t we. And I’m trying to drown out the fake opera, but it is persistent fake opera and it refuses to be put down. Also, I’m finding that I’m not really into this album now, especially when he kind of fake-raps. In fact, I would postulate that this was a grave stylistic error on his part. But we all do things in our youth that we later come to regret. And so, perhaps this fake opera singer is also young and will undoubtedly come to regret the torture she put us all through one late September day.

And to paraphrase a sample from a Man or Astroman? song, “well, that’s all over now.” I took a break, between last paragraph and this, during which various events occurred. For example, I watched an episode of the new BBC Sherlock Holmes series. Oh, and I went to the arboretum with Farley. Now it’s just crickets, I’m afraid. Crickets and slugs, as per usual. Plinking out some tunes on my alphabet piano.

I enjoy aggressive music as much as I enjoy quiet melancholic music. It’s essential, you see, to achieve a balance. To be stale, it’s the yin and the yang. But really, each person has its halves. Call it what you will. Semantics notwithstanding, let us not deny our dark sides, or for that matter, our light ones. I embrace both, though it may not be obvious to the general populace. But I am not concerned with them. I am concerned with touching the thing inside. It requires a delicate touch. And it is finicky in what type of delicate touch is required.

I used to go to parties. In my experience that was a mistake. End of story.

I am now listening to Teeth Mountain, a defunct local band whose tribal drumming and frenetic guitars I enjoy. Again with the drumming. One or two classically trained musicians were involved, I believe. Now said musicians play in another band, Horse Lords. I am interested in musical noise that transports one’s headspace into alternate galaxies. I support purveyors of such racket. I support many things, quietly and unobtrusively.

This may be over?

corn crake

Corn Crake

Drawing of the Corncrake from Naumann, Natural History of Birds in Central Europe, Volume VII, Table 15 – published 1899

I want to see a Corncrake (Crex crex), also known as Corn Crake. I think I prefer the two word spelling, but I’m not sure yet. In this post I will test out both. We don’t have Corn Crakes here in the U.S. Last year someone claimed to have seen one in Maryland, but it was never verified. Seems unlikely…that would be extreme vagrancy. Corncrakes are in the rail family, a group of secretive mostly marsh-dwelling birds known for mystical practices like turning sideways and disappearing. One Maryland birder reported seeing a rail literally walk through a fence. Unlike other rails, though, corncrakes live on dry land. They prefer grasslands, especially hayfields. Corn Crakes, like most rails, are notoriously difficult to spot. The corn crake was also a threatened species for some time due to changes in mowing practices and loss of habitat. Numbers remain low in western Europe; however, increased monitoring determined that due to its expansive range, the species is actually not in any immediate danger of disappearing.

I’ll admit that the only reason I really want to see a Corncrake is because I love its name. And frankly speaking, I really don’t care if I get to see one or not. I’m just glad it’s out there doing its things. Corn Crake may just be my favorite name of any bird in the world that I know of. I also like Wood Stork, but I’ll save that for another day. Corncrake makes me think of autumn. Sometimes when I am sad I just think Corn Crake and I feel better. Corn Crake. Corn Crake. Corn Crake. Corn Crake. Corncrake. Sometimes it’s like that and it doesn’t take much. Other times a bit more. What can you do. Oh, whatever can you do. Not much other than think about Corncrake and hope for safe passage to the other side.

tenodera aridifolia = one riot, a failed raid

The One and The Other are on vacation this week. Or they may have time traveled or transcended reality or something. It’s hard to say for sure. They are unreliable narrators. I overheard them jabbering about surfing wicked eddies in the space-time continuum. As I left the room, I saw them out of the corner of my eye, a brief flash. I think they were holding towels. Perhaps they’re now cavorting with mattresses on Sqornshellous Zeta.

I saw many birds this weekend. Birds. Birds. Birds. I went to the park. Twice. I saw a Chinese Mantis (Tenodera aridifolia). It flew across my path and landed in a tree. Fun!

On Saturday night I played Bananagrams. I felt sure I’d win on account of all the anagramming I’ve been doing lately, but I did not. Win, that is. One of my opponents was a known fierce competitor. Fastest bananagrammer in the West, they say. Now, I’m an anagram purist and do not think you should be able to dump letters, even considering that you are penalized by having to take extras when you do. When I mentioned this I was accused of being difficult. I ended up screwed several times at the end of a round when I picked up everybody’s crappy discarded letters. I think I prefer Boggle and Scrabble.

Work is work is work is work is work. Bah. Read poetry outside at midday near the water. So many old white men in suits. Just wait until they get the corporate nudity memo. Bloated bellies, sagging flesh tubes, scraggly grey chest hair…THE WORLD WILL SEE IT ALL. No one will be intimidated again by your fetid air of combed-over superiority.

Reading again about how the lucrative used tire market is the nefarious cause behind one of my summer woes. Isn’t that a bitter pill. I can’t get over it. Me, who hates cars and doesn’t even own one. I dream of an apparently pre-1987 world where I could actually enjoy my deck instead of shrinking from it in fear for months at a time. Where assassins did not invade the sanctity of my home, lurking in the low shadows, inserting their proboscises into my flesh to make a blood withdrawal. Used tires? Are you kidding me?

So here I am with my brand new 1970s rec room molester carpet, my office looking much tidier as a result, the shaggy blunt brutality of Monday closing in on me. The horror, the horror. And those brats The One & The Other not even here to entertain me. Damn them.

This didn’t really go where I wanted it to go.

the vagulator’s map

I want to be somewhere unfamiliar and yet I know it is merely a swirly chipped vision I see in my head. Outside a stone house at dusk, looking down the hillside at a copse of trees, wood smoke trailing from the chimney to the violet sky above, a pungent scent to breathe in, to savor. Gravel crunches underfoot, a lantern swinging from a hand slants yellow light across the path, scrape of the gate latch, a figure strides into darkness, never to return.

Canadian art house films don’t help, the lush scenery a starring role in itself, stealing the limelight, all humans fade to flat. I care less about what they are doing to each other, probing each other with words and organs, wrecking lives, all-too-familiar narrative arcs, but what about the waves forming across the lake, lapping onto the stony shore, the way that mountain looms like a haunted face over us all. These things matter. They outlast flesh.

I like words that start with ‘wood’. A woodnote is a song or call of a woodland bird. A wood nymph is a nymph of the forest. I would imagine a wood troll is a troll of the forest, or perhaps an orchard. A wood pussy is informal for a skunk. Wood sugar is xylose.

There is a bird (actually two of them) called a wryneck. These Old World species can twist their necks into unusual contortions. Perhaps they also demonstrate a dry sense of humor when relaxing amongst their bird friends and colleagues. I’d like to fancy myself a wryneck, but an old cycling accident prevents it.

In Mrs. Dalloway, Virginia Woolf uses the phrase ‘vagulous phosphorescence’ to describe an old lady. Vagulous is a word that Woolf apparently made up (see p. 7 of this article), meaning ‘fanciful formation’. There is also a verb form, vagulate, meaning ‘to wander in a vague manner; to waver’.

In the woods today there were more birders than birds. The bird to birder ratio was not in my favor (and yet as I now review other reports online from that location today I see that two rarities were found, both of which would have been life birds for me…sigh). Even the typically less-traveled trails held women with feeder blobs secured to their midsections, guffawing young ones with canine friends, a full orchestra of humanity tuning up for the day’s symphony. And why not. The humidity broken, temperatures dipping to livable levels, cotton puffball clouds clotted a blue painted sky. Why not all converge in one spot.

I rose above it, literally, and found a Brown Thrasher. And an American Redstart. I need less input, more output. Rather, more filtered, structured input. Less information to influence, to make one waver. The vagaries of the vagulator, vacillating with vociferous vim and vigor.

In the port-a-john there was a violent-looking spider. It was perched calmly in the corner at seat level. This raises questions in my mind. Are spiders vindictive? Was that spider thinking I know you all hate me and think I’m horrifying so I will lurk here in this portable toilet until you sit down and then I will jump into your naked lap, possibly onto your private bits, scaring the living shit out of you and causing you to never use a portable toilet again? Was it thinking that? Or was it just thinking, damn, this sucks. I am stuck in this portable toilet. How am I gonna get out. Or was it thinking, I’m a spider, I’m a spider, I’m a spider. Or the abbreviated: spider, spider, spider. Or not thinking, just being its spider self, in the portable toilet, unaware of any special significance attached to its location or even its existence.

When you start researching things on the Internet you tend to see the exact phrasing used in Wikipedia articles repeated over and over, in blog posts, news articles, and ‘answer’ sites (which presumably exist for people who know how to get online and ask questions but don’t understand how to use a search engine). Take for example, the vapors (or vapours, if your people prefer the ‘u’), which is described in these exact terms in Wikipedia, as well as a million other places: “Vapors were considered to be the female equivalent to melancholy found in men.” So, really the movie I watched last night should have been called Vapours, not Melancholia. And who assigns gender to a planet, anyway. Of course the Earth is a she isn’t she and we have been legitimately raping her for years haven’t we. Maybe she will magically expel us all soon. Better get in your magic tepee, teepee, or tipi.

These are the days, the days we are living.

mosquitoes = o quiet moss

It’s possible I saw more mosquitoes than birds during my birding expedition. I probably now have West Nile Virus. They are going to spray stuff from airplanes to kill the mosquitoes where I was looking at birds. Really. I wouldn’t lie about that. Think about not ever going to work again. Just think about it. For one. heart. beat. Fuck. I saw a dead slug on the sidewalk. I can’t take it. Why is it so easy to dislike people without even knowing their faces or their names. And yet. a squashed slug. crushes me. Farley walked right past a cat. Didn’t even see it. I think the cat was mocking him. There were a lot of vultures at Soldiers Delight. Hanging out on the cancer towers. Airing their wings and such before kettling up. It’s a vulture’s world out there. So many dead things to feast on. Because life is too much of everything. And so things are always dying and being replaced. And if you’re a vulture…well, I don’t feel the need to explain any further. There are too many people. And there are too many things. Too many people things and too many thing-people. The other night I dreamed I was living in an outdoor camp in a forest. I was part of a team. Our job was to watch over the forest, to help people traveling through it and to keep poachers out. We slept outside in little beds and watched informational films that helped us do our jobs better. How is this relevant? Let me put on my Jungian hat and pontificate. I guess maybe I want to help people instead of rot at a desk all day? Maybe not a job, per se, but something. Why not. Jung said many of his patients were successful middle-aged people who suddenly realized their lives were empty and meaningless. Hooray. Nothing changes throughout modern history, does it. It. just. gets. worse. But what does ‘successful’ mean in this context. I suspect it means the opposite of what I consider success. I am not interested in ‘social standing’. I am not interested in ‘moving up the ladder’. Of course that kind of success is going to make your life feel empty and meaningless. Of course it is. I hate your filthy money and everything. it. stands. for. I just want my time. That is all. Why is it so difficult. It seems like it belongs to me. But actually right now it largely belongs to a mammoth financial institution by way of a prominent American university by way of the United States Government by way of taxes paid by my friends and neighbors and complete strangers. So, in a way their time belongs to me, but not really because I give it to a big faceless bank, which means the people ‘moving up the ladder’ own it all. And their lives are empty and meaningless because of it. If they just stopped the process by which they are taking our time, I think we’d all be better off.

Where’s my cave. I have some paintings to make. They tell a very different story.

And yet…at work the ghost of Edouard Levé was haunting my mailbox. So there is that.

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