unfinished studies in probability

I am trying to determine how it is possible that I never see my immediate neighbors. We literally share walls. And I am out in the streets at least twice a day walking Farley. Yet I never encounter them. How is this possible. What are the odds of me seeing even one of them? That’s what I’d like to know, though I’m not at all a gambling man, just a curious one. Is it because I leave at random times, and they also leave at random times, making our odds of intersection quite low? Or is it because I leave at random times and they leave at the same times, also making our odds of encountering each other low. I know that I never leave at the same time, so perhaps I am the reason we never meet. My erratic behavior may be the cause of our never meeting. However, some people in the neighborhood I see quite often, even though they don’t even live on my street. Why them, I ask, why not the ones so close by. This I don’t understand.

Sometimes I look out a window and I see my immediate neighbors but they appear so far away, like they are in another dimension, another world even, or as if in a dream, and I consider that I may never know them for it is too late, too much time has passed and so we are destined to remain strangers. Somehow, in some hidden unreachable part of my insides, I think I know this is true, and for some reason it saddens me, though I don’t quite know why, but I think it may have to do with how I have created personalities and lives for all of them and the stories of their lives in my head are ongoing and can grow quite elaborate at times, and for reality to now impose on these stories would ruin them and probably depress me.

Meanwhile, the other day as I approached the revolving door at work from outside, someone also approached it from inside, and we pushed simultaneously and the door swung with ease, depositing each of us in places opposite of where we had been, and this was pleasing to me, for it rarely happens, and in general I am ambivalent to revolving doors, yet when serendipity such as this occurs I am reminded of their occasional magic, leaving me with a lingering sense of connection to my partner in door-pushing whom I didn’t know and didn’t speak to nor do I want to know or ever speak to.

the musicality of everyday life

Day two of rain on my face. Harder rain, colder rain. Less enthused about it. Wednesday’s unraveling of the week’s semblance of sanity. Sameness shakes through the bones. What is today from yesterday and next week. Listen to epic chanting bands as blood pools in useless sitting legs. Message light on phone appears without phone ringing. It’s a mystery I don’t want to solve. Remember to stand and walk around. Vacate vocation. Evoke smoke. Dream a little longer in the morning, don’t let time thieves tear it away. Afternoons of fast guitar picking on taut strings of sudden tendons stretched and longing. I wouldn’t believe it if I didn’t hear it. There is nothing here anymore.

late rain world

The world was late today. I don’t know. I was late. But I wasn’t expecting the world to also be late. I had hoped for a leisurely ride in on mi bicicleta. Instead there were cars everywhere. An automotive horror show. Maybe it was the rain. Rain slows the world to a crawl. Like slow motion, creeping and crawling. Not me, though. I was pedaling quite rapidly, in fact. Bike commuting reminds me I am alive. Otherwise I might think I was a walking corpse. Or a dancing one. I’m skipping a meeting this morning. I don’t care. It empowers me. Robert Walser would skip it. Walser wouldn’t still be here seven years later, though. Walser wouldn’t have made it seven months. Seven weeks, maybe. More likely seven days. He’d be in his attic room writing his soul out on shreds of borrowed paper with a stolen pen. Oh, where is the rain crow. He migrated long ago. Now who will tell us when it is about to rain. I felt the cold rain on my face and knew I was alive. No more alive than last month or last week or yesterday, but alive nonetheless. 2013 dreams have been vivid so far. It’s like there is an arthouse revival series going on in my dream life. I’m liking it. There’s nothing else to report, I’m afraid. Raining, check. Biking, check. Reading Walser, check. No more rain crow, check. Not a corpse, check. Alive, check.

repetition is a theme

Buried in slog of post-contest photo caption editing. It is satisfying in a maddening way.

Tools for Monday survival kit:  Zeni Geva, The Voyeurs, Peanut Chews, Coffee

sunday night

I thought I had something to say but I guess I was mistaken.

It may have been something about the coat rack falling off the wall for the third time in as many months.

There is no difference between the time the rack fell down twice before and the time it fell down today.

I could be wrong, though.

Instead of not posting anything, however, I wrote this.

We can blame Borges for this.

It is quite foggy out now.

Or is it mist. It may be mist. I’m not sure I know the difference.

piskarev’s mist / fragment 10

But it stopped the breath in his breast, everything in him turned into a vague trembling, all his senses were aflame, and everything before him was covered with a sort of mist—
Nikolai Gogol, “Nevsky Prospect”

fragment 10

Stay still now
in the mist
and watch this tree
inch upwards
as your hands
grow cold
and time
leaches light
from the sky.

More on mist here, here, and here.

molloy’s mist

“All that through a glittering dust, and soon through that mist too which rises in me every day and veils the world from me and veils me from myself”—Samuel Beckett, Molloy

More on mist here and here.

my austrian gorge

I rung in the New Year with a vicious bout of gastroenteritis. It felt like 2012 was clawing its way out of my body. And now that it is gone I am empty. Perhaps it is good to start another year empty. Fill me up, 2013.

People say don’t take your health for granted. Every time I am ill I am reminded of this. For the world seen through sickened eyes is not the same as that seen through healthy eyes. One moves through life with somnambulistic motions. Gone are the little tendrils of thought so often coursing off in all directions. A single-mindedness takes over. I must drink some water. I must lie down. I must walk the dog. I must lie down again. Mere survival. Reading becomes impossible. Too much focus required. Staring into space becomes commonplace. Or glazing over in front of the telescreen. Anything to dull consciousness of the ill feelings.

Yesterday I worked from home. I was not well enough to return to the office, but there was work to be done, and I felt capable of doing it. Besides, the last thing I wanted to do was spread this plague to anyone else. I always find that I am more productive and efficient when I work from home. I’m not sure why this is. It may be that I am able to work in front of a window at home. One might think that this would lead to distraction and daydreaming but such is oddly not the case. I find it comforting. My bird friends come to visit, alighting in the crepe myrtle branches and hopping about on the porch roof. It keeps my spirits up and my mind focused on task. At the office I sit in a dim windowless womb in front of two screens, impassively observing my soul die a laborious death, each email and meeting appointment a tiny wound I am too dulled to deflect (in his typically dark style, Thomas Bernhard once wrote: “Instead of committing suicide, people go to work”).

Coming out of illness now, I am feeling tentative. My diet remains bland and simple. I miss coffee. The world still seems an unforgiving place. Outside the wind howls, chilling my weakened frame. But I can read again, and I find solace in Bernhard’s novel Correction. It is the perfect book for right now, with its hypnotic cadence, repetition, lack of paragraph breaks, dark subject matter. I feel poised above a rushing gorge in the Austrian wilderness.

Perhaps this is the worst 2013 had to hurl at me. Toxins now purged, I feel ready.

Soundtrack to this post:

Red Lorry Yellow Lorry — Nothing Wrong
Shipping News — Flies the Field
Metroschifter — Schift-Ship

the tricky truth of time

I have not been to work in 11 days. I will not return for another two. I love this time. I have been taking this break at the end of the year for at least five years running. It has become important to me, this shucking off of the past 12 months in preparation for the new rack of days about to be set.

What happens is a curious thing. The coccoon of time unravels and I am released into a nebulous world of days and hours unmarked by the usual frames of reference. On occasion, I find myself searching my mind for what day it is. Recall is often laborious. When it does occur, I laugh quietly. I lose track of what days the recycling is picked up, when certain shows air on the radio, who among my circle might be working at any given moment.

I know it is morning when the yellow light pours into the sunroom from the east. It warms me over my shoulder as it falls across the pages of my book.

I know it is midday when Farley starts angling for a walk.

I know it is evening when the last light fades, leaving a gloom to settle in the house.

But the weekdays tend to blur into the weekend. Morning hours are in general distinguishable, one from the other, but the afternoon hours caper gleefully, spinning in circles around the maypole, daisy-chaining their elastic selves around my helpless body, freeing me from the snare of routine. They tempt me into running for the hills. Crouching in the thickets, they whisper to me snatches of their secrets, of ‘p time’ and ‘m time,’ with the laughability of it all unconcealed in their twinkling eyes. We are not binding straps, they say; rather we are possibility, we are discovery, we are whatever happens between the beginning and the end.

Soon, though, Colonel Responsibility will beckon with his truncheon for me to trudge down from the hills. Under the hard Colonel’s watchful eye, I will refasten the familiar leghold trap, grinding my teeth as the steel fangs puncture my skin, reopening barely-healed wounds. The yellow light will disappear behind windowless walls. The afternoon hours will sheepishly turn their backs on me, showing me their ugly sides. And I will wonder again about their truth they never fully share.

Soundtrack:  Earth – Hex: or Printing in the Infernal Method (Thanks, Taidgh!)

peering out from dormancy

The recently sliced up confetti of old words sifts through my fingers as the primitive beats of old heavy music pulses in the other room. Winter is upon us, oh yes, with the wind and the snow and the sleet and the penetrating coldness. Every year the shock of how slowly real winter arrives here beats me about the head with a large stick come late December, early Januaryish. Cold fingers tapping on the keys, the chill of the glass in these windows, how reading in the sunroom suddenly means reading in the ice fishing shack. And how I become a grumbly old man, rug thrown across my lap, scarf encircling my neck, unwashed hair standing on end, burning words in my brain to stay warm somewhere, if not on the outer surfaces, then at least on the inner ones.

I still prefer it to the stifling madness of a city summer. I find it easier to get warmer than to get cooler. The lack of mosquitoes in winter thrills me. Sometimes I loiter in my front yard, teeth chattering, for the mere joy of not being eaten alive by those tiny flying demons.

The bitter cold purifies. Most living things die out there. Or go dormant. I go semi-dormant myself, though this state is not dissimilar from other times of year for me.

On cold days, humans appear on the street as rapid bundles of fabric. On hot days, humans appear on the street as languid loops of flesh. Take your pick.

I’m making good use of my vacation from the-place-that-shall-not-be-mentioned-by-name. In addition to copious reading, I’m indulging in a bit of paper management, something which I tend to ignore the necessity of for months at a time. This activity chiefly entails clearing off a desk I no longer use, famed dumping ground of mail that may or may not require saving and paper scraps scrawled with cryptic notations that I must now decipher in order to determine their value. But it also extends to shredding old writing: abandoned manuscripts, hard copies of blog entries, failed stories, and handwritten pieces that have since been either typed up or rejected. Destroying my own words gives me secret pleasure (well, it’s no secret anymore). So much of what I’ve written is dead to me, and I am merely finalizing that. The end of the year is a good time to do this. One desires a clean slate, at least on some levels. We are of course multi-slated individuals, and not all slates require erasing.

Yes, so here I am talking about the weather and my fascinating domestic life. It’s not what I wanted to write about, but I have not figured out yet how to write about what it is that I want to write about. Oddly enough this past summer was more fertile for that, so perhaps the heat is good for something after all.

Playlist for above activities and subsequent transposition into words:

Universal Order of Armageddon – Discography
Sleep – Volume One
Charles Mingus – Mingus Moves

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