an interview with fustus

Now introducing…Fustus!

A Set of Lines review

A perceptive review of A Set of Lines comes by way of Daniel Williams, author of The Edge of the Object.

The novel’s terrain lies somewhere between the surreal, labyrinthine hell of Alasdair Gray’s Lanark and the apocalyptic imagery of Anna Kavan’s Ice, and the end result is worthy of being filed on your bookshelves alongside those two immersive, unsettling fables.

The Immaculate

Over at the Ghost Paper Archives site, the tenacious archivists have accosted an intriguing individual known only as The Immaculate for the purpose of a brief interview session. Methinks Mac could have strolledcoattails flappingstraight out from the pages of a Angela Carter novel…

ahoy chicagoans

To those readers living in the Chicago area: if you’ve reached the point where you feel you can leave your quarantine unit without enduring heart palpitations in order to do some socially distant browsing at one of your local bookshops, my novel A Set of Lines is now available at that fine Chicago institution known as Quimby’s. New stock of Bunker Diaries and Inner Harbor Field Reports has also arrived at the store. Just a heads up that the supply of these two publications is dwindling, and there are no plans for a second printing. As always, thanks for reading and be well.

visit the nobody zone

after people, a bird reflects

In a new series on the Ghost Paper Archives site, the resident archivist-reporters explore the Nobody Zone in words and images. Read the first installment and subscribe for future posts on the right sidebar of the GPA site (no WordPress account needed).

self-interrogation on collaboration

In a new post on the Ghost Paper Archives site, several of the interstitial archivists self-interrogate themselves, both directly and tangentially, on the subject of collaboration.

Ghost Paper Archives

Ghost Paper ArchivesGhost Paper Archives (logo design by Nate Dorr) (GPA) is the imprint under which A Set of Lines has been published. GPA is a publishing collaborative focused on the creation and dissemination of texts and imagery, online and in print, that document facets of the human colonization of Earth. These facets reflect a tendency toward, or even a fixation on, the eerie mundanity of quotidian life on this planet. In short: we’re here, we’ve made a total mess of the place, but what does our daily existence communicate? What about the objects (and beings) we gather around us, or the built environments we inhabit, by choice or otherwise? And what role do dreams play? How can this raw material distill itself into new and disorienting spirits within the textual story container or across the visual landscape (be it moving or still)? The tiniest narrative fronds begin to unfurl.

If you subscribe to the Lost Gander blog, either as a WordPress user or not, I invite you to also subscribe to the GPA site, as that site will hopefully soon be busier than this one has been of late. You can sign up to receive future posts on the right sidebar of the GPA site. As always, thanks for reading!

Now Available: A Set of Lines

A Set of Lines front cover

A Set of Lines: a novel by S. D. Stewart

Last night I drew all night. I copied the images from the textbook and then I drew them again freehand—I made them move on the page, lengthened the lines and darkened the centers.

The tree, the river, the old textbook—a triptych with shifting borders hangs in a place where dreams and memories intersect. Omission and loss haunt those who live here, suspended as they are in an endless struggle to connect. Contracting and expanding as it progresses, the narrative of their existence ever-circles around a shrouded core.


With cover design and interior illustrations by Nate Dorr, who since 2017 has been quietly depicting the beauty of decaying, mutated biospheres in his Disaster Landforms series.

Interior design and layout wizardry by Nathan Grover.

Read reviews on Goodreads.

Order the paperback | Download the ebook

Shipping Note: Delivery estimates shown during the order process are the latest possible arrival date. Most U.S. orders will take 7–11 business days to arrive, depending on the selected rate. Economy rate is reasonable: in many cases, the book will still arrive inside of a week. Delivery times outside of the U.S. will vary by location.

a dream-story

I arrive in town exhausted. The need to stash my belongings points to a decrepit white Victorian with the air of a boarding house. No one’s around when I enter but this does not concern me. I shove my bags under the bed in an otherwise empty room and return to the street. No one’s outside, either. The town feels like it’s holding its breath. I cross the street to a disused petrol station. As I’m standing in the parking lot a car engine revs from behind the garage. Tires squealing, an old Trans Am speeds out and across the street, up the short incline to the house, and rams through the doorway, disappearing inside. I find this alarming and walk away at a rapid pace.

Now I’m hiding in the woods up the hill and down the street from the house. It’s a pleasant spot, almost like a tended garden but wild enough to offer adequate cover. I keep watch from atop a large boulder. Just as my pulse slows to resting rate a pair of wizard-thieves appears in the street below. They look up in my direction before entering the house. Despite the Trans Am now presumably wedged in the vestibule, only a few minutes pass before they walk out carrying my bags.

I know they are coming for me next, so I don’t bother with further retreat. It will only aggravate them to a higher level of violent intent. When they arrive at my boulder I am calm. They seize me and take me to their camp deep in the woods beyond the town limits.

Over the next few days I attempt to impress them with my rudimentary skills. I levitate small objects and hurl them across the campsite, much to the irritation of its inhabitants. In a moment of insolence I attempt to use my power to asphyxiate the field lieutenant as he delivers a formal complaint about my presence to the lead wizard-thief. A scornful bark escapes the lieutenant’s lips as my weak effort fails. Humiliated I shrink away to my tent. But I know those who matter are secretly impressed. Soon I will be ready. Soon I too will matter.

outside the walls

Outside the city walls the scientist retires to smoke his long-stemmed pipe and absorb the local gossip. As the burnt yellow of the sky fades, scattered fires spring up, each circled by a huddle of indistinct figures. The scientist approaches one such group, steps within the fire’s glow and notices a figure seated apart from the others, its face shrouded by a voluminous hood. To this one he turns his attention.

Ah, Liferuiner, it’s been a long time.

The figure nods.

And how many lives have been touched by your handiwork since last we spoke?

The figure stirs, clears its throat.

Actually I’ve been on hiatus, so to speak.

I see. So how have you been spending your time?

I’d rather not say. And you? How go the experiments?

The same as always, my friend. I fear I will never reach the threshold I seek to cross.

Too bad. It is hard for us on the fringes. Our work is never appreciated.

The scientist nods as he puffs on his pipe, watching the Liferuiner jab at the fire with a rough-hewn staff, jostling the reddened coals until sparks shoot forth.

I must return to the laboratory soon, my friend. I cannot tarry here all evening long, as others are wont to do.

The Liferuiner raises its cloaked head, reaches out a withered hand and grasps the fringe of the scientist’s sleeve.

Before you go, I have something for you.

It reaches into a satchel slung across its chest and brings out a small vial of pitch black fluid.

Take this, my friend. May it aid your progress in reaching that threshold you speak of.

The scientist holds up the vial, through the contents of which no light passes. A faint smile flickers across his lips.

I am once again in your debt, my friend. Please do take good care.

He stands and touches the brim of his hat, but the hooded figure has already turned back to the fire, stoking it viciously again with the staff.

Up above the craggy walls of the city loom in the light of the rising moon. The scientist steps forward, now following the path back to the structured madness of his experiments.

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