mosquitoes = o quiet moss

It’s possible I saw more mosquitoes than birds during my birding expedition. I probably now have West Nile Virus. They are going to spray stuff from airplanes to kill the mosquitoes where I was looking at birds. Really. I wouldn’t lie about that. Think about not ever going to work again. Just think about it. For one. heart. beat. Fuck. I saw a dead slug on the sidewalk. I can’t take it. Why is it so easy to dislike people without even knowing their faces or their names. And yet. a squashed slug. crushes me. Farley walked right past a cat. Didn’t even see it. I think the cat was mocking him. There were a lot of vultures at Soldiers Delight. Hanging out on the cancer towers. Airing their wings and such before kettling up. It’s a vulture’s world out there. So many dead things to feast on. Because life is too much of everything. And so things are always dying and being replaced. And if you’re a vulture…well, I don’t feel the need to explain any further. There are too many people. And there are too many things. Too many people things and too many thing-people. The other night I dreamed I was living in an outdoor camp in a forest. I was part of a team. Our job was to watch over the forest, to help people traveling through it and to keep poachers out. We slept outside in little beds and watched informational films that helped us do our jobs better. How is this relevant? Let me put on my Jungian hat and pontificate. I guess maybe I want to help people instead of rot at a desk all day? Maybe not a job, per se, but something. Why not. Jung said many of his patients were successful middle-aged people who suddenly realized their lives were empty and meaningless. Hooray. Nothing changes throughout modern history, does it. It. just. gets. worse. But what does ‘successful’ mean in this context. I suspect it means the opposite of what I consider success. I am not interested in ‘social standing’. I am not interested in ‘moving up the ladder’. Of course that kind of success is going to make your life feel empty and meaningless. Of course it is. I hate your filthy money and everything. it. stands. for. I just want my time. That is all. Why is it so difficult. It seems like it belongs to me. But actually right now it largely belongs to a mammoth financial institution by way of a prominent American university by way of the United States Government by way of taxes paid by my friends and neighbors and complete strangers. So, in a way their time belongs to me, but not really because I give it to a big faceless bank, which means the people ‘moving up the ladder’ own it all. And their lives are empty and meaningless because of it. If they just stopped the process by which they are taking our time, I think we’d all be better off.

Where’s my cave. I have some paintings to make. They tell a very different story.

And yet…at work the ghost of Edouard Levé was haunting my mailbox. So there is that.

to me, it’s not better than the weather

Waning, waxing, waning, waxing: the rush and the push of mood from hour to hour to day to day to week’s end and to the moon. Reading F. K.’s diary night by night…sinking fast in the horror bog of familiarity. A morass of similarities. [Will I also get TB. Where’s my Swiss sanatorium.] Writing, not writing, writhing, writing, not writing, the endless breakers rising and crashing against this battered cranial jetty. The crushing repetition of my own inspiration. Heat’s ebb and flow, the dying summer exhales rank and humid rattle-breaths as it’s painstakingly strangled by the coming fall. An ugly death, for sure. The work not done around here could fill a hundred empty trucks, on standby, prepared to haul off a life’s accumulated evidence of avoidance. I, the weather-crazed architect, survey an empty expanse of years, so carefully orchestrated, so carelessly implemented, and on every day I rested. And on every day I rested. And on every day I…clamp down on the cause of defeat with mighty waxen jaws, summer’s flame licking holes in their false walls. Caving in on itself, everything is. Last night again was epic dreams I failed to describe accurately in my journal. Just weak fluid flowing from my pen, sketching a toothpick framework for what is becoming dangerously close to more exciting than what I describe here. That is, intricate nothingness. That is, blank walls of clear shellac taped off and rollered with exquisite care, attention paid to the most glaring lack of any details…a veritable Sistine Chapel ceiling of nonexistence. So proud I am for the big unveiling. [Sound of emergency exit door slamming shut.]

Now I drink yerba mate out of a wooden gourd. Now I reflect on how cigar-smoking guy had a lady friend with him today. Not a loner for long. They sat in those weird half-chairs that have no legs. Just a seat and a back and nothing else, maybe arms. What will they think of next. Cigar-smoking guy was not smoking a cigar. His bike was there, but his lady friend must have walked. I sat on the other side of the locust trees flipping through some literary journals I’m supposed to review. The air felt drained of moisture. This pleased me. All around, bands of men in monkey suits capered about in the grasping thralls of machismo, no doubt bandying their latest conquests in the spheres of sex and business. Strip off their power suits and we would all laugh. Or would we cheer. Or arrest. Recall the Naked Rambler. Corporate embrace of full nudity: I’d like to see it. Level the playing field. No more power coursing through expensive Italian fabric. I’m nude, you’re nude, let’s close this deal and go get drinks. High fives all around. See you at the bar.

gather to hear the sound of barrel scraping

Across the street from work crouches a vicious corporate bookselling machine. I ventured in there during my lunchtime walk to see if they had any Anne Carson books that I could read while loitering in their cavernous stacks. Their poetry section looked like it had been gleefully ransacked and subsequently rearranged by illiterate trolls. Seriously, there were kids’ books shoved in there, completely randomized alphabetization, and all kinds of other unspeakable chaos. I almost threw up. The only Anne Carson book I found was Nox but it was sealed. Well, that and Antigonick, which I did flip through and find intriguing. Meanwhile, behind me in the video section, two middle-aged guys were tag-team harassing this clerk about obscure psychotronic films. It was totally absurd. They just kept badgering him. I almost heaved Nox in their general direction. The clerk kept his cool, but I’m sure he was seething inside. Then I stood up too fast and felt dizzy so I left.

possible kalopsic casualty

Last night I swam in a sea of almost-sleep, drifting in and out of almost-lucid dreams, all of which evaporated upon waking. It was the fan, I think. The fan instead of the A/C. What was I thinking. The Siren song of dropping humidity dripped its sugar-sweet serum into my ear holes. Damn you Weather Sirens. It is Wednesday now. My bird-of-the-day calendar displays a sleek Green Kingfisher. I replaced the bulb above my office plant. We are getting new green carpet; it smells bad and looks like it was torn out of some swinger’s 1960s basement rec room. I cringe at the thought of it creeping in all molester-like into my personal office space. My feet will never be the same. Violation! Violation. I am listening to the liferaft again. So help me, I cannot help myself. Do you know what I mean. Do you. Do you really know. I attended a meeting this morning. I was 9 minutes late on account of I was waiting for the coffee to stop brewing. Also my coworker and I were busy trash-talking the last 4 years of our professional lives. I am back to drinking too much coffee again. But I drink the special tea after lunch to try and repair the damage. It appears to work, but maybe not since there was the almost-sleep and that is a heavy consideration. I am eating my lunch now and not smoking a cigar. But I bet that guy is. I’ll bet he is. The liferaft has segued into the bedside table. That is where I keep the 5 books I am currently reading, most of them Kafka-related. But there is Jung, too. And Tessimond. All of my dear friends stacked in a pile within easy reach. With my Moleskine. Sigh. Last night while out walking Farley we saw a cat. It was not a metaphorical cat that might or might not be in a box, dead or alive. It was a real cat and Farley was interested. He stared under the car long after the cat had run back across the street. I want a cat so bad. Nearby to where I live a train went off the tracks in the dead of night. Two college girls were up on the bridge tweeting photos and they were buried under a mountain of coal. They died. I’d like to think this exposes the ills of social media, but I’m not sure. I feel bad about this. That’s why I listen to the liferaft so much. It makes the sounds that I feel inside most of the time. I am perhaps a blurred model of myself. I walk outside and brush my hand against the lavender blooms and surreptitiously sniff. Hey, it’s that guy who is always sniffing his hand. Yes, that is me. I enjoy touching things in nature that look soft. I find them irresistible. I find much of what is around me irresistible. The rest of it can fall off the planet for all I care. The Internet ruined my concentration. I enjoy chasing rabbits of information down their hidey holes. That is really what I do. Often. Sometimes I pass on what I find to others. Sandy Berman taught me that. He is a good man. We used to write letters back and forth. I was an over-excited new library school student. Now I just search for stuff on the Web. My idealism is easily trod upon into a gross paste that I plan to smear on the molester carpet when it arrives leering and panting outside my office door. What you don’t know is that I was just outside touching the lavender. Literally. Between that one sentence and the next. What do you think about that. My hand smells so fucking good right now. Outside there was a truck with bins on the side dispensing free energy bars. The orbs and their blobs were shoving their fleshy flaccid fingers in those bins so fast. But they are healthy nutrition bars. Ha! That is a fucking good trick! I feel so alive today. It made me walk fast. Surf the mania. I am 100% alive and 100% dead ALL THE TIME. I am petting the cat and its back is arched. I’m an out-of-the-box solution, suckers.

film review: short cuts

This movie is terrible. First of all, it’s over three hours long. If you’re going to make a movie that long, it better be good…damn good. I watched the first 10 minutes or so, which consisted of flickering credits interspersed with long opening scenes (an annoying stylistic affectation). At this point, I switched to scanning through the scenes. This film, billed as Robert Altman’s “masterpiece,” purports to swirl Raymond Carver’s work into a cinematic “mosaic.” Having read most of Carver’s stories, I decided to cut to the chase and find the scenes that I consider his finest work, and see how Altman mangled them. I don’t know if it was the disgust I felt at reliving the trappings of 1990s American culture (perhaps our most sickening decade to date) or the horror of seeing the fresh young faces of so many now well-established American actors and actresses contribute to what amounts to a pissing contest on the collected short fiction of one Raymond Carver, but when I arrived at the bastardization of “A Small, Good Thing” (possibly my favorite Carver story), I could go no further. I guess I don’t get it. The cast of this film reads like a Who’s Who of Hollywood. And not necessarily bad Hollywood. There are definitely some good actors in here (Hello Julianne Moore, Frances McDormand, Tim Robbins: I’m looking at you, among others). Maybe it was the 1990s that warped them (Sorry, Tom Waits, but I don’t think this excuses you). On the other hand, Alex Trebek has a cameo, so take that for what it’s worth (keeping in mind that we have Canada to blame for him). The fashion alone in this film is enough to make you vomit profusely. Carver’s stories are still popular today because they are timeless. But this film is dated, its stylistic baggage weighing down on the strength of any given scene to the point of crushing Carver’s lifeblood out of it. We all know that film adaptations of literature are always a disaster-in-waiting, but few approach the extravagant failure of this bloated celluloid monstrosity.

ending days

How do you end a day? Does it depend upon the day? Likely. Today is ending with Bedhead and a beer after a long day of driving and visiting with my family. The visit was good; the drive was bad. That’s all I will say about that.

Are there rituals? I read until my eyes can’t stay open any longer. Right now I’m reading Solzhenitsyn’s “We Never Make Mistakes.” Could there be a better title for a book describing Stalinist Russia? Unlikely.

How to end the day. How to tie it to the next one, trailing a tail braided of only the best moments perhaps. Or is it better to let dreamland clean the slate and start anew in morning time.

These are questions beyond me, right now and maybe always.

subject to unmeasured confounders and biases*

Inside it’s freezing cold. Outside it’s blazing hot. I walk out there into the world and my arms remain cold to the touch for a time. After that passes, my hair follicles feel like they are burning in my scalp. My coworker is back visiting from Dhaka, where she reports it is hot, crowded, and smelly, so not much different from Baltimore in summer. I forgot my music today. I don’t even have headphones. This pains me. I also forgot my ID badge. I have no identity. I am no one. I am all of the things we don’t say. And that is a lot. If we even knew them, whatever would we do. A thing occurs and it causes effects and those effects affect you and you wish the thing never occurred even though you made it occur and you could have not made it occur. That was your choice. But you took a stand, for better or for worse. And now there’s just this sort of empty place. Anyway, I read a book and it was the Collected Stories of Carson McCullers and I wrote a long review of it over on Goodreads, but I want to mention it here because I loved it so. I read a lot of it in the cabin when I should probably have been talking to people but I wasn’t, because that is how I am and I know I won’t change and I don’t even want to change, so there. And this book included the novel The Member of the Wedding and it was sad and dark in the way many good books are and it placed me even more in awe of Carson McCullers than I had been before. Growing up is hard and life is not very kind to adolescents and then suddenly you are an adult and what the hell is that. I mean, it’s hard being an adult, too, but maybe not as hard as being a teenager because at least when you are an adult your youthful idealism has been wiped away instead of still in the process of being stomped on by the awakening realities of life and the human condition. I feel strange today, but not in the way I felt strange last week. Perhaps it is the heat, perhaps it is how today is my only day of work this week and it’s odd to me that tomorrow is Friday already. It seems like it should be Monday. And it just keeps getting hotter and hotter and I fear we all may explode like ants under a magnifying glass. But the tomatoes and jalapeños are ripening and new cucumbers are growing, so I guess a few more of them were fertilized after all. The heat is good for that, but not for my mental state. The radio tells me this heat may last well into August and if that is so, I very well may lose my mind. I will lock myself in my room like Kurtz and plot and read and scratch out words and maybe something good will come out of it. But first there is this and that of which I don’t feel like doing on account of my awfulness, and so I will sit here and brood over my jasmine tea for I am into brooding these days and perhaps the tea will warm me up.

Note:  In the American Heritage Dictionary, 3rd edition, the third definition of brood reads as follows:  a) To be deep in thought; meditate.  b) To focus the attention on a subject persistently and moodily; worry.  c) To be depressed.

I am thrilled that this definition of brood offers such a varied and expansive range of what I do so often. I can use this term broadly and no one will know if I am actually worrying, depressed, or just deeply in thought. Some words are so convenient.

*Title of post lifted from a random journal article I saw in a list of search results

catbird chatter

I returned early this morning from a work-related trip to San Francisco (photo post to follow). While I was gone, the catbirds skulked back into the neighborhood and resumed transmission of their esoteric messages from the protection of the now fully leafed out trees and shrubbery. I am happy to hear their secretive broadcasts once again. While out walking Farley, I also heard a House Wren singing on the next street over and a Yellow Warbler singing a little farther afield. Word on the street is that I missed a couple of stellar days of migrant fallouts in this area while I was gone. So I’m a little disappointed about that, although I did manage to pick up a few Western North American species on my trip that were lifers. On multiple occasions, I also saw and heard some of the Wild Parrots of Telegraph Hill, which was really cool as I’d watched the documentary about them not too long ago.

For my trip reading, I took along Anne Tyler’s Celestial Navigation. I like most of her older books and Em El particularly recommended this one. It did not disappoint! I finished up the last few pages over lunch today and was struck by this passage below. It’s certainly not cheery reading, but much of what I read and enjoy is not. For me, it’s all about the shadows.

Being good was not enough. The mistakes he reviewed were not evil deeds but errors of aimlessness, passivity, an echoing internal silence. And when he rose in the morning (having waited out the night, watching each layer of darkness lift slowly and painfully), he was desperate with the need to repair all he had done, but the only repairs he could think of were also aimless, passive, silent. He had a vague longing to undertake some metaphysical task, to make some pilgrimage. In books a pilgrimage would pass through a fairytale landscape of round green hills and nameless rivers and pathless forests. He knew of no such landscape in America. Fellow pilgrims in leather and burlap would travel alongside him only long enough to tell their stories—clear narratives with beginnings, middles, ends and moral messages, uncluttered by detail—but where would he find anyone of that description? And think of what he would have to carry in the rustic knapsack on his back. The tools of his craft; Epoxy glue in two squeeze tubes, spray varnish, electric sander, disposable paintbrushes. Wasn’t there anything in the world that was large scale any more? Wasn’t there anything to lift him out of this stillness inside? He fumbled for his clothes and picked his way downstairs. He made his breakfast toast and ate it absently, chewing each mouthful twenty times and gazing at the toaster while he tried to find just one heroic undertaking that he could aim his life toward.

the acidic pleasures of baudelaire

From “One O’ Clock In The Morning,” in Paris Spleen (Varèse translation, New Directions):

“At last! the tyranny of the human face has disappeared, and now there will be no one but myself to make me suffer.”

Of course no poet can be acidic all the time, not even Baudelaire.

From “The Stranger”:

“I love the clouds…the clouds that pass…up there…up there…the wonderful clouds!”

Wonderful clouds indeed!

conversation

I’ve been reading John Steinbeck’s short story cycle The Pastures of Heaven. This was not Steinbeck’s first book, but it was the one that caused people to start taking notice of his talent. The book reminds me of another favorite short story cycle of mine, Sherwood Anderson’s Winesburg, Ohio. Both books follow individual characters living near each other in a small place. Some of the same characters drift in and out of the stories. These books are dissections of small town and country life, where on the surface it looks normal, just an average place, but underneath is a seething mass of human nature. The subject matter is often dark in both books. Neither Steinbeck nor Anderson were writers to shy away from exposing the shadow selves we so often repress, knowingly or not. And they do not judge; they simply show, as all good writers do.

From story VI:

“They didn’t make conversation; rather they let a seedling of thought sprout by itself, and then watched with wonder while it sent out branching limbs. They were surprised at the strange fruit their conversation bore, for they didn’t direct their thinking, nor trellis nor trim it the way so many people do.”

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