digging in the shade of the vowel tree

Sylvia Plath wrote of
intolerable vowels
entering her heart
but what of ruthless
consonants headed
to our brains.

We all know about a-e-i-o-u and sometimes y. They may be intolerable but their numbers are small. And they are more easily made to do our bidding. The consonants, in contrast, are legion and their rigidity stifles. Perhaps the only way to harness their true power is to one-by-one start taking them away.

Anna Kavan wrote:

I had only learnt how to be friends with shadows; it might be too late to learn the way of friendship in the sun.

Friendship in the sun is a mirage. The way to it is false. The sun fades color and one day it will kill us all. Shadows make easy friends: we pass through them as they do through us. Few stay long. It is their nature. Sometimes it feels like it is in all our natures to expand and contract, pull away and grow close, like a squeezebox played by a jittery ghost.

Kafka wrote:

No one will want to lie in clouds of mist with me, and even if someone did, I couldn’t expel the mist from my head.

This gets at the heart of the problem, I think. One feels an isolation and maybe a desire to connect, sometimes even a desperate mania. But who can share a dreamy solitude? By definition, no one. And if it was at all even possible, the mist remains. How could we find each other. How could one’s dream self operate in reality? The pilot seat in your head is unlike the one outside of it. Out there, we cannot twist the knobs, adjust the instruments without consultation, without repercussions, without the sun blinding us. In the shadows, the mist, these difficulties melt away.

Jung wrote:

A man can hope for satisfaction and fulfillment only in what he does not yet possess; he cannot find pleasure in something of which he already had too much.

Yikes, Carl, that’s bleak, even by my admittedly generous standards. In fairness, on the next page of Modern Man in Search of a Soul, Jung also states: “The needs and necessities of individuals vary. What sets one free is for another a prison.” So I guess one could argue that for some people overindulgence sets them free, although I don’t think that’s his point with the former quote. I think it is about anticipation. Jung is talking about this concept in the context of the development of analytical psychology, and yet it stands out in the text as such a sweeping statement. But I don’t think this aphorism or whatever you want to call it can be universally applied. Certainly competitive eaters don’t find pleasure in the 18th hot dog in a row that they’ve shoved down their throats. But can Jung honestly think that attaining the love of another person does not lead to satisfaction and fulfillment? I mean, I will grant him that unrequited love is an exquisite thing, and possibly more intense on the whole than many long-term relationships. But no satisfaction and fulfillment for those in love? I don’t know, maybe he is not including love or other emotions here. Maybe he is referring strictly to material things, in which case I willingly concede his point.

Édouard Levé wrote:

The full weight of depression comes on between 1-5 PM, particularly when I am home by myself. Mornings and night are more filled with promise.

Filled with promise. Is that what we are after? Moments filled with promise? Is it merely the anticipation we crave, what Jung says we can find satisfaction and fulfillment in? Anticipation can be tantalizing, I’ll admit. But how. How can we be satisfied with mere promise. Inherent in promise is a pledge to fulfill at some point in the future, not at the moment of the promise. Like an IOU. Is it the step we take to accept the promise that is meant to satisfy? Is it the mental and/or emotional trust fall we allow ourselves to take? If so, what of broken promises. Do those negate the previous gain in fulfillment? Well, do they, Jung? If he were here, I’d have more than a few questions for him.

Levé also wrote: “Above a certain height I like what I see. Below it I don’t.” I suppose we can read this on a literal or a metaphorical level. What is the certain height. And is it a chronological point, a philosophical one, a spiritual one. Who knows. I think we can safely say, though, that whatever the certain height represents, it changes between individuals. Remember how Jung said what sets one person free is another person’s prison.  Some people don’t like what they see above a certain height, while others crane their necks for a peek. Some spend their lives craning for that view, but some are content to not look. They don’t want to know…they look away in fear, shame, embarrassment, whatever.

So what is the conclusion. Is Kafka’s mist the same as Carson’s foam? Sometimes it’s a strain to make all the connections. Certainly reading and writing are key decoder rings. Endless battles, ceasefires, sneak attacks, and truces with the vowel and consonant armies. And maybe the ladder stretches high enough to see above the mist. I think others have ladders high enough, too. If we squint hard enough we can probably see each other, mouths flecked with foam, across the scorched battlefield strewn with bloody words and mangled sentences. Hello there! I do not have rabies. I am merely seeking the sublime. Perhaps you’d care to meet in the mist and discuss for a few moments. I’ll be waiting.

mosquitoes = o quiet moss

It’s possible I saw more mosquitoes than birds during my birding expedition. I probably now have West Nile Virus. They are going to spray stuff from airplanes to kill the mosquitoes where I was looking at birds. Really. I wouldn’t lie about that. Think about not ever going to work again. Just think about it. For one. heart. beat. Fuck. I saw a dead slug on the sidewalk. I can’t take it. Why is it so easy to dislike people without even knowing their faces or their names. And yet. a squashed slug. crushes me. Farley walked right past a cat. Didn’t even see it. I think the cat was mocking him. There were a lot of vultures at Soldiers Delight. Hanging out on the cancer towers. Airing their wings and such before kettling up. It’s a vulture’s world out there. So many dead things to feast on. Because life is too much of everything. And so things are always dying and being replaced. And if you’re a vulture…well, I don’t feel the need to explain any further. There are too many people. And there are too many things. Too many people things and too many thing-people. The other night I dreamed I was living in an outdoor camp in a forest. I was part of a team. Our job was to watch over the forest, to help people traveling through it and to keep poachers out. We slept outside in little beds and watched informational films that helped us do our jobs better. How is this relevant? Let me put on my Jungian hat and pontificate. I guess maybe I want to help people instead of rot at a desk all day? Maybe not a job, per se, but something. Why not. Jung said many of his patients were successful middle-aged people who suddenly realized their lives were empty and meaningless. Hooray. Nothing changes throughout modern history, does it. It. just. gets. worse. But what does ‘successful’ mean in this context. I suspect it means the opposite of what I consider success. I am not interested in ‘social standing’. I am not interested in ‘moving up the ladder’. Of course that kind of success is going to make your life feel empty and meaningless. Of course it is. I hate your filthy money and everything. it. stands. for. I just want my time. That is all. Why is it so difficult. It seems like it belongs to me. But actually right now it largely belongs to a mammoth financial institution by way of a prominent American university by way of the United States Government by way of taxes paid by my friends and neighbors and complete strangers. So, in a way their time belongs to me, but not really because I give it to a big faceless bank, which means the people ‘moving up the ladder’ own it all. And their lives are empty and meaningless because of it. If they just stopped the process by which they are taking our time, I think we’d all be better off.

Where’s my cave. I have some paintings to make. They tell a very different story.

And yet…at work the ghost of Edouard Levé was haunting my mailbox. So there is that.

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