so are you in or are you out

For a long time nothing happens and then something happens. The something can be good, bad, or neutral. The something can also be large, small, or medium. Furthermore, the space between somethings can be short, long, or in-between. Infinite permutations of this scheme occur and reoccur over a finite expanse of time. Tornadoes of frenetic activity tempered by vast plains of incremental movement. Hurried descents down spiral shadow staircases. Careful crawling across gleaming parquet floors. Hoarse screaming from the tops of turrets. Nothing is happening. Everything is happening. Synchronicity! Coincidence! Randomness! Chance! Snowflakes! Mollusks! Drifting sand dunes! Pointlessness. Pointilism. Your face as a series of points inside a frame on the wall. Don’t move, there are a few more points to fill in. Early morning purity dissolves into a sooty smudge of horror hours. I’m pulling up mandrake roots and delivering ornate twig bundles to your front porch by the light of a blue moon. You’ll thank me later, I’m sure. Tractor beams. (We’re veering off-course.) [You’re steering, of course.] The Periodic Table is, what, sometimes a chair… Electron clouds swarming with blue-gray gnatcatchers. Mechanical ants marching toward your workplace. Abort mission, stat.

Nothing is just nothing. Something is always happening. But is it happening again. Has it already occurred. How does it compare to, say, nothing. Can we try it on for size. The universe is a dressing room with no doors. No recording is allowed. Over-sized objects make us laugh. Tiny things make us weep with joy, crinkle our faces and speak in strange nonsensical babbling tones. It’s why so many of us collect miniatures. The pleasures of total control, the power to rearrange the tableau at will. Meanwhile, think about a giant foam cowboy hat. Why does it exist. What purpose does it serve. Who wears these things, anyway. It doesn’t matter because it’s hilarious. Its mere existence inspires drollery. Put the hat on and caper around a bit. See, don’t you feel better. You’re in the center of the vortex now. Look out, you’re pulsing with radioactive humor. But wait. Now you’re a homunculus in a jar, placed on a shelf, with the late afternoon sun hitting the embalming fluid just right. You could be an actor. The range of emotions you have mastered is simply stunning. They wrote this role just for you, and they so rarely do that these days. Have your lines tattooed onto your body and report to the set at half-past the chimney swift’s flight pattern on the sixth Thornsday of our evasive thirteenth month. We may need to trephine, though rest assured that we only ever use Stan and he’s the best. Check the clause in the contract due to arrive soon at your doorstep, tucked inside the front pouch of a wallaby. It will be a grand play, like no other, replicating the many permutations of the earlier scheme. Each act will be called something or nothing. Intermission will be long, short, or in-between. The entire thing will last until the end. So are you in or are you out.

indicators and implications

Water main break sends me scurrying yesterday from the building. I tried to stay but the fire alarm went off. I think they were trying to flush us out. Begone, you office trolls! It seems there are water mains breaking everywhere in this city. Our aging infrastructure simply cannot handle a violent shift from warm to below freezing to warm again. Get home, pull up the shade to a turkey vulture gliding overhead. I resent the implication this bird is making toward my general state of liveliness. I am not dead. It’s simply not true. Maybe the vultures should go feed on all the dead water mains instead. Crunch, crunch.

This may sound familiar to long-suffering regular readers, but how one reacts from inside an elevator to the sight of another person walking (hurrying, even) toward said elevator, defines at a base level the kind of human being one is. Most other indicators are largely irrelevant to me; they require too much interaction, too much time to reach a satisfactory conclusion. If I want to know in an instant, a blinding flash, what kind of person a certain human is I will hurry toward the elevator in which she or he stands, looking out at me with either compassion or disgust, and I, at her or him in return with either gratitude or disappointment. What transpires in that brief moment shall inform me of what stuff they [sic] are made. I am reminded of my experience at the revolving door the other day. The simplicity, the stripped-down bareness, of this moment, two humans moving in opposing directions, yet united in one shared motion to move themselves, and each other, forward to where they needed to be. To ignore the sublimity of these moments would be tragic.

unfinished studies in probability

I am trying to determine how it is possible that I never see my immediate neighbors. We literally share walls. And I am out in the streets at least twice a day walking Farley. Yet I never encounter them. How is this possible. What are the odds of me seeing even one of them? That’s what I’d like to know, though I’m not at all a gambling man, just a curious one. Is it because I leave at random times, and they also leave at random times, making our odds of intersection quite low? Or is it because I leave at random times and they leave at the same times, also making our odds of encountering each other low. I know that I never leave at the same time, so perhaps I am the reason we never meet. My erratic behavior may be the cause of our never meeting. However, some people in the neighborhood I see quite often, even though they don’t even live on my street. Why them, I ask, why not the ones so close by. This I don’t understand.

Sometimes I look out a window and I see my immediate neighbors but they appear so far away, like they are in another dimension, another world even, or as if in a dream, and I consider that I may never know them for it is too late, too much time has passed and so we are destined to remain strangers. Somehow, in some hidden unreachable part of my insides, I think I know this is true, and for some reason it saddens me, though I don’t quite know why, but I think it may have to do with how I have created personalities and lives for all of them and the stories of their lives in my head are ongoing and can grow quite elaborate at times, and for reality to now impose on these stories would ruin them and probably depress me.

Meanwhile, the other day as I approached the revolving door at work from outside, someone also approached it from inside, and we pushed simultaneously and the door swung with ease, depositing each of us in places opposite of where we had been, and this was pleasing to me, for it rarely happens, and in general I am ambivalent to revolving doors, yet when serendipity such as this occurs I am reminded of their occasional magic, leaving me with a lingering sense of connection to my partner in door-pushing whom I didn’t know and didn’t speak to nor do I want to know or ever speak to.

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