[Please forgive the momentary fixation on F.K. again. I often return to him for comfort, especially when I can’t write. Reiner Stach has done K. devotees a remarkable service with his meticulous biographical research and synthesis. I have fallen into this book like I haven’t fallen into a book in a long time. And to think, there is one more published volume yet to read! Not to mention the early years that Stach still hopes to cover, should he ever gain access to Brod’s vault.]
Here are a couple of passages related to K.’s creative process…
“He knew that his best, most profound writing sometimes came from a heightened consciousness of depression. However, complete inertia and indifference lurked no more than a breath away.” (p. 151)
“If we were to observe the ebb and flow of Kafka’s literary productivity from a great height, we would see a wave pattern: an initial phase of intensive, highly productive work that comes on suddenly and lasts several hours a day, followed by a gradual decline in his powers of imagination, lasting for weeks, and then finally, in spite of his desperate attempts to fight it, a standstill and feelings of despair for months on end. We do not know why he had to go through this cycle several times, and we will not know until we have a categorical paradigm of artistic creativity. Kafka himself never uncovered the logic behind the igniting and extinguishing of his art; he was always too deeply enmeshed in the effort of tapping whatever reservoir was accessible to him at the moment.” (p. 175)
—Reiner Stach, Kafka: The Decisive Years (English translation © 2005; original German edition © 2002)


