mystery of the annes

Question. Do all the Annes mean something? For many years now, I’ve been adding Annes to my favored author list. It all started with Annie Proulx (AP) and her novel The Shipping News. I moved on from that novel to reading most of her other fiction, both short and long. AP is primarily a Western writer, and her characters are often fringe types, loners, roamers, outsiders. I read her novel That Old Ace in the Hole when I lived only a few hours from the Texas Panhandle region where it was set. I read a lot of her fiction when I lived out there in North Texas and it helped me a little bit to understand my own place as a loner in what I saw at the time as an unforgiving open land.

When I moved here to Baltimore, I started reading Anne Tyler (AT) novels on a sporadic basis. I’ve probably read about 10 of them by now. I wanted to read AT because her books are usually set in Baltimore. I’d never lived anywhere before that also happened to be the specific setting for a writer’s books. It added a special extra thrill to the reading. AT’s characters, much like AP’s, are often loners and oddballs. Often in her books these loner oddballs find other loner oddballs to be with, although not without encountering much difficulty along the way. Reading her books always puts me in a strange headspace, yet one that also seems familiar because of all the Baltimore references. I enjoy this.

The third literary Anne to enter my life was Annie Dillard (AD). I fell in love with her writing immediately. I began a mass consumption project. I’ve read most of her books by now, although I’m saving a few for the future, mostly because AD has alluded to the probability that she won’t write another book (too much reading to do, says she). The ones I’m saving are her memoir and her two books of poetry. I started the memoir once but it didn’t click. The same thing happened with her first novel, The Living. I tried hard to get through it but eventually realized I was bored and didn’t care what happened to the characters. That’s always a sign for me that the book isn’t working and it’s time to put it down. I thought maybe AD’s fiction just wasn’t for me, but then The Maytrees came out and proved me wrong. Still, it is her nonfiction that captivates me most. I know I will be rereading much of it, despite my general tendency not to reread books.

Now along comes Anne Sexton (AS) and Anne Carson (AC). I’ve read more of AC than AS at this point, and I can say that I’m already enthralled with the former while still plumbing the depths of the latter. What I like most about AC is her mixing of genres. A book of hers can contain poems, essays, opera librettos, screenplays, and various bits of unclassified text. I get the sense that she does not force herself into formats that her thoughts don’t want to go. As the writing flows, it begins to take form. None of this, I’m going to sit down and write a poem now. Despite the intimidation I feel at her stunning intellectual prowess, her writing still feels liberating and accessible to me. It feels like reading an academic treatise but without the formal constraints that usually come with such writing. She pulls from so many disparate sources and ties it all together so it makes perfect sense, although often only if I read it closely.

So what is it about the Annes?

Other inputs: My sister was born an Anne and now goes by Annie. She reads a lot. When I first moved to this city my best friend was dating an Anne. I had never seen him so happy. I thought they might make it. But sadly they did not.

Anne is the French form of Anna, which is a form of Channah (or Hannah), a name used in the Latin and Greek Old Testament. In Hebrew the name Channah means ‘favor’ or ‘grace,’ or more specifically, ‘He (God) favors me’. The Book of Luke, in the New Testament, mentions a prophetess Hannah who recognized the child Jesus as the Messiah. Anna became a popular Western Christian name during the Middle Ages because of Saint Anna, the mother of the Virgin Mary. Anne is still a popular name in France. In England it is also commonly spelled Ann. Various forms of the name appear in most Western and Eastern European nations, as well as Russia.

My aunt’s name is spelled Ann, and she is the daughter of Irish immigrants.

I’m sure we all recognize patterns in our lives. I try not to ignore them. Sometimes they are ones yawning behind me I want to avoid in the future so I try to learn from them. Sometimes they are merely part of life’s effluence. And sometimes they appear to be mystical messages encrypted and in need of decoding. I feel like I am in constant search of a decoder ring.

catbird chatter

I returned early this morning from a work-related trip to San Francisco (photo post to follow). While I was gone, the catbirds skulked back into the neighborhood and resumed transmission of their esoteric messages from the protection of the now fully leafed out trees and shrubbery. I am happy to hear their secretive broadcasts once again. While out walking Farley, I also heard a House Wren singing on the next street over and a Yellow Warbler singing a little farther afield. Word on the street is that I missed a couple of stellar days of migrant fallouts in this area while I was gone. So I’m a little disappointed about that, although I did manage to pick up a few Western North American species on my trip that were lifers. On multiple occasions, I also saw and heard some of the Wild Parrots of Telegraph Hill, which was really cool as I’d watched the documentary about them not too long ago.

For my trip reading, I took along Anne Tyler’s Celestial Navigation. I like most of her older books and Em El particularly recommended this one. It did not disappoint! I finished up the last few pages over lunch today and was struck by this passage below. It’s certainly not cheery reading, but much of what I read and enjoy is not. For me, it’s all about the shadows.

Being good was not enough. The mistakes he reviewed were not evil deeds but errors of aimlessness, passivity, an echoing internal silence. And when he rose in the morning (having waited out the night, watching each layer of darkness lift slowly and painfully), he was desperate with the need to repair all he had done, but the only repairs he could think of were also aimless, passive, silent. He had a vague longing to undertake some metaphysical task, to make some pilgrimage. In books a pilgrimage would pass through a fairytale landscape of round green hills and nameless rivers and pathless forests. He knew of no such landscape in America. Fellow pilgrims in leather and burlap would travel alongside him only long enough to tell their stories—clear narratives with beginnings, middles, ends and moral messages, uncluttered by detail—but where would he find anyone of that description? And think of what he would have to carry in the rustic knapsack on his back. The tools of his craft; Epoxy glue in two squeeze tubes, spray varnish, electric sander, disposable paintbrushes. Wasn’t there anything in the world that was large scale any more? Wasn’t there anything to lift him out of this stillness inside? He fumbled for his clothes and picked his way downstairs. He made his breakfast toast and ate it absently, chewing each mouthful twenty times and gazing at the toaster while he tried to find just one heroic undertaking that he could aim his life toward.

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