the one and the other in monday denial

Hello Other!

Hello One.

What’s on tap for today? asked the one.

Please don’t use that phrase. I don’t like it, said the other.

Certainly, replied the one.

Are you feeling badly? asked the one tentatively.

The other sighed. This banter is beginning to read like a Garfield comic strip.

Oh, right, replied the one. Garfield hated Mondays! He would hide under his blanket in his cat box. Not a bad idea actually.

Yes, agreed the other. How do you cope with Mondays, one?

Well, I hang out with you, of course, said the one. But I also read books and listen to music! I’m not very productive at work on Mondays in case you were wondering.

Well, that’s your business, said the other.

Perhaps they will fire me, said the one.

It’s always possible, replied the other.

I think it would be a relief, frankly, said the one.

Frankly, Mr. Shankly, said the other.

This position I’ve held…It pays my way, and it corrodes my soul!! sang the one.

I want to leave, you will not miss me…I want to go down in musical history!! shouted the other.

Wheeee, said the one.

I had a lot of weird dreams this weekend, said the other suddenly.

Dreams are good. I love them! said the one.

Dreams repel Mondays. They are the anti-Monday! said the other, excited now.

What else can we do to destroy Mondays? I want to smash them to bits! said the one.

Maybe we can sneak up on Mondays…like on Sunday nights, and stab them in the back with an ice pick??!! shrieked the other.

Yes! Yes! Kill the beast! Cut his throat! Spill his blood! shouted the one.

Wait. Is Monday the beast…or the deserted island? asked the other.

Who cares! screamed the one. Slit its throat!

Okay, settle down, said the other.

Why?? You started this! yelled the one.

Here, have some pretzels, said the other.

Okay. Pretzels are good, replied the one.

This conversation never happened, said the other.

I know, said the one.

More of The One and the Other.

review: bill callahan ‘apocalypse’ film tour

Bill Callahan showed up in my city last night with a filmmaker named Hanly Banks, who had filmed Bill on his Apocalypse tour last summer and made a documentary about it. They showed the film outside on a giant inflatable screen that looked like a moonbounce. This was behind an art gallery in the heart of the city. Trees grew out of the surrounding abandoned buildings. Literally out of the walls. Given time and an absence of interference, nature always trumps concrete and brick. Think how beautiful that could be. A local brewery served beer. I was there with my friends. After the movie, Hanly Banks answered awkward audience questions, such as “Did Bill’s laid-back nature help offset the mundane aspects of touring?” And “Do you feel that how you captured Bill’s personality in the film is how he really is in person?” Not that I’m one to talk. I sometimes obsess in a similar manner over writers, just not so unabashedly. I cultivate my obsessions secretly. Jung would likely not approve.

I’d never been to the art gallery before and when I looked it up on the internet the map made it unclear which side of the street it was on. When I arrived in the vicinity, I crossed the street to the other side, thinking it was over there because of the grassy lot that looked appealing for movie-watching. Then I turned around and looked across the street and saw Bill Callahan moving around inside a storefront. Bingo.

After the film, Bill played a few songs. He joked that he’d been hoping for more screen time in the film. He also mentioned a strange object he’d seen in the sky a few minutes before, like a fixed light, but with a body is what he said. It was probably Foxtrot, I thought to myself. After his third song, he said good night. People kept yelling for an encore, but I knew he wouldn’t be back. Five bucks for a film and three songs was a good deal. I was content.

The film made me think about how many non-zomblobbies there are in this country, doing their things, just trying to make their way in the world. It lifted the bleak veil a bit and let me peek through to the golden light. But then there was everyone with their devices, so frantic to capture this moment as it was occurring. Why can’t they just sit back and enjoy the show. Why with the constant recording of everything that happens around them. When you watch it later, you think, “there i am with my device, recording that guy on stage and updating my status to reflect how much fun i am having.” [Note to self: stop thinking about this]

But the golden light, remember the golden light. And now these intoxicating scents fill the space around me. I drowse into a trance of sensual overload…Labradford’s feedback washes onto the shore of a delicate lack of sleep, coming rain foretold in the shaking cottonwood leaves, rare essential oils pungent and desirous unravel me…and I am gone, like Rumi, on a visit to the elsewhere from whence my soul comes. Or…maybe I’m only going downstairs…

possible kalopsic casualty

Last night I swam in a sea of almost-sleep, drifting in and out of almost-lucid dreams, all of which evaporated upon waking. It was the fan, I think. The fan instead of the A/C. What was I thinking. The Siren song of dropping humidity dripped its sugar-sweet serum into my ear holes. Damn you Weather Sirens. It is Wednesday now. My bird-of-the-day calendar displays a sleek Green Kingfisher. I replaced the bulb above my office plant. We are getting new green carpet; it smells bad and looks like it was torn out of some swinger’s 1960s basement rec room. I cringe at the thought of it creeping in all molester-like into my personal office space. My feet will never be the same. Violation! Violation. I am listening to the liferaft again. So help me, I cannot help myself. Do you know what I mean. Do you. Do you really know. I attended a meeting this morning. I was 9 minutes late on account of I was waiting for the coffee to stop brewing. Also my coworker and I were busy trash-talking the last 4 years of our professional lives. I am back to drinking too much coffee again. But I drink the special tea after lunch to try and repair the damage. It appears to work, but maybe not since there was the almost-sleep and that is a heavy consideration. I am eating my lunch now and not smoking a cigar. But I bet that guy is. I’ll bet he is. The liferaft has segued into the bedside table. That is where I keep the 5 books I am currently reading, most of them Kafka-related. But there is Jung, too. And Tessimond. All of my dear friends stacked in a pile within easy reach. With my Moleskine. Sigh. Last night while out walking Farley we saw a cat. It was not a metaphorical cat that might or might not be in a box, dead or alive. It was a real cat and Farley was interested. He stared under the car long after the cat had run back across the street. I want a cat so bad. Nearby to where I live a train went off the tracks in the dead of night. Two college girls were up on the bridge tweeting photos and they were buried under a mountain of coal. They died. I’d like to think this exposes the ills of social media, but I’m not sure. I feel bad about this. That’s why I listen to the liferaft so much. It makes the sounds that I feel inside most of the time. I am perhaps a blurred model of myself. I walk outside and brush my hand against the lavender blooms and surreptitiously sniff. Hey, it’s that guy who is always sniffing his hand. Yes, that is me. I enjoy touching things in nature that look soft. I find them irresistible. I find much of what is around me irresistible. The rest of it can fall off the planet for all I care. The Internet ruined my concentration. I enjoy chasing rabbits of information down their hidey holes. That is really what I do. Often. Sometimes I pass on what I find to others. Sandy Berman taught me that. He is a good man. We used to write letters back and forth. I was an over-excited new library school student. Now I just search for stuff on the Web. My idealism is easily trod upon into a gross paste that I plan to smear on the molester carpet when it arrives leering and panting outside my office door. What you don’t know is that I was just outside touching the lavender. Literally. Between that one sentence and the next. What do you think about that. My hand smells so fucking good right now. Outside there was a truck with bins on the side dispensing free energy bars. The orbs and their blobs were shoving their fleshy flaccid fingers in those bins so fast. But they are healthy nutrition bars. Ha! That is a fucking good trick! I feel so alive today. It made me walk fast. Surf the mania. I am 100% alive and 100% dead ALL THE TIME. I am petting the cat and its back is arched. I’m an out-of-the-box solution, suckers.

why does this channel play such a peculiar strain of white noise

Your shoulders bend forward to keep out the world. I see it. What is the point. Why do we insist on throwing ourselves out into the fray. Retreat! Climb onto this liferaft I have constructed from a few termite-riddled planks bound together with the discarded hairs from your head. It’s all different but the same. Longing and self-denial: our life’s work, the unrequitable nectar from which we feed, desperate fools that we are. I can’t bear to look.

Today I took Farley to Spiderweb City. I heard a Black-billed Cuckoo, a bird I identify with. Common but secretive? Rumored to predict rain? Maybe not. I came home, ran around inside the house with my paint bucket, sweating, the futility of it all welling up inside, allegro. Mainlining futility, hoping someday for the pure uncut junk that blows your mind.

Later: party time. An invitation not refused. Perhaps the strangest party I have yet attended in a lifetime of suffering strange parties. Now here I sit, a party of one. Freebasing dictionaries and dreaming of foreign scents. The window is open to let in the rare cool night air. The city crickets patch together their ragged symphony. I am restless with the other music, but not drowning out the crickets. The stage is set for insomnia. Cue white noise…aaand, ACTION.

Observer versus participant in the steel cage match of life. Who wins. I wish I knew. Not that it would matter. I can’t change now. I feel like a bad character actor playing myself when I go out in public. The superficial bumbler. Kafka talks about being alone and how it restores himself to himself. How he comes alive when alone. The noise in his head quiets. He says, “Being alone has a power over me that never fails. My interior dissolves […] and is ready to release what lies deeper.” When two people are together in aloneness it is a curious thing. In some ways it is liberating. I think it may be the best we can hope for, but I still can’t see how it ends.

So we are afloat on this rotten raft held together by your hair. And I reach to pull your shoulders back but they no longer move. Like my spine they are stuck out of place. It’s dark now and the sea grows rough. I know the morning will come, but what does that even mean. At what point did the day really end. Some weeks stretch like taffy. Others make Friday the pin on this grenade and you’re stretching your long thin arm to it all week but it’s always out of reach until all of a sudden you’re yanking the pin out and it all blows up in your face. Or it’s a dud. Either way you lose another seven days. The box of grenades is not bottomless.

The rain is falling now, again. Like the cuckoo sang it would. Rain crow, rain crow, sing us a shower. This bird is killed by pesticides; this bird collides with TV towers, with tall buildings that house banks and corporate overlords. Let us all share the blame for killing a bird that sings when it is about to rain. For there are few sounds so soothing as gently falling rain.

synopsis of a seventeen second play

A reflection is almost always false. Remember that next time you think it’s a good idea to hang a mirror on the wall. But never mind about props. On with the play for today. I’m doing the lighting. No, wait. I’m the leading man! I’m a researcher searching for secrets in the archives. If you read them, you will find them. The secrets, that is. In the archives. Perhaps. They are secrets, after all, so it’s not like they’re just out in the open.

In the second act, I guestate in your house for a while, but as I was never actually invited I eventually fade into the wallpaper. Why does that always happen to me. Like when I attend office baby showers. What is the point. When will I learn to politely decline. At least the fruit was fresh. At least that was the case. I took full advantage. And then I left. Three delicious strawberries later. Retreat!

Since I’m also writing this play while acting in it I get to decide what the the final sound of the final act will be just as I make it. And it is this. A tree falling alone in a forest. Wait, I can’t replicate that. Sooo…yeah, guess you’re gonna need to make up your own sound, after all, in your head, man. Is it the same sound when you’re around or not? Is it. Is it the same sound. How should I know. This is not a philosophy lesson; it’s a play.

In the epilogue, I talk about how the letter ‘M‘ has held significance for me throughout my life. Ooh, sounds intriguing, huh? Well, you’re not going to get to read it because I wrote that part at night sans lumière and so it’s illegible. Too bad for you. So are my seventeen seconds up or what? Yes? Okay, close curtain.

the one and the other

I never learned to tie my shoelaces the right way, the one said.

What do you mean by the right way? asked the other.

Where you make a loop of one lace, then loop the other lace around that one and somehow pull them together into a knot. I kept trying to do it that way, but I just never could, the one said.

Hmm. So how do you do it? the other inquired.

Well, first I make each lace into a loop and then I tie them together into a knot, the one said.

It’s okay, said the other.

Really? I used to feel self-conscious about it in school, the one said.

It’s fine. There’s nothing to worry about, the other said.

The one leaned back into the other. Warm tingles ran through the other’s body.

I like you, the one said.

I like you, too, said the other.

It’s Monday again, the one said.

I noticed, the other said.

I don’t like Mondays, the one said.

Who does? They are the worst, the other said.

So how can we deal with them? the one asked.

Listen to sad music, the other said.

Really? Doesn’t that…make it worse? the one said.

Sometimes it’s better to surrender. It takes the strain, said the other.

Maybe you’re right…what’s good? asked the one.

I think you know already but here’s a hint for one…Crickets! said the other.

Oh! exclaimed the one.

Yes. Shall we? asked the other.

Indeed, said the one.

[a little later]

Good night, said the other.

See you again? asked the one.

I’m here every Monday, replied the other.

‘Til then, said the one.

N’oubliez pas d’éteindre la lumière, said the other.

I’m not afraid anymore, the one whispered.

I know, whispered the other.

More of The One and the Other.

red light green light

Shifting synchronicity of traffic lights marks the vague change between these days. Whoa, that one is red this morning. I now recognize that yesterday has become today. Also, I think I’m wearing different pants. Speaking of today, it’s Office Olympics Day, an awkward afternoon-long opportunity to observe one’s colleagues caper with impunity in the insipid name of morale-building. Well, no amount of frisking about can rouse this drone’s morale. Even worse, OO is scheduled to start at the beginning of the usual lunch hour. Whose idea was that, I demand. Tell me, you fools. But it’s like shouting down a dry well of indifference.

This song triggers memories of driving back roads with my sister on the way to buy bootleg cassettes at the Sunday flea market. Poring over the endless rows of tapes by obscure bands, the excitement of finding strange new music coursing through me as the summer sun shines down. That’s really where it started, after all, this mystical journey down a jagged, thorny path leading from the dusty crossroads of early adolescence, a place where little acceptance was to be found. Of course it’s farcical to think anything was easier then. But as I gathered the tools of defense against a harsh world, enforcing my armor with sounds to yield lifelong comfort, the process prickled with the electricity of discovery. And these shocks, so intense in youth, temper as the years wrap gauze around us. I fear it’s the daily doing that does us in.

After the Olympics, which my team did not even medal in despite winning multiple events (team competitions are notoriously rigged at my place of employment), I leave early and walk out into a storm. Louder than bombs thunder strikes overhead. I duck under an awning hoping to wait it out before hopping on the bike to ride home. An Indian man stands next to me chain-smoking. More Indian men stream by, cigarettes in hand. Seems to be a gathering of sorts. Afternoon traffic builds like layers of crusted pus on an angry sore. People run from the rain. Building to parking garage. Building to parking garage. I grow impatient and take my chances. The rain falls on even as the sun violates the clouds. A sudden humidity clashes with cold rain on my hot skin. Drop, sizzle. Drop, sizzle. Red light, green light. Go.

♥death cult♥

hold this empty box

Tonight I watched Box of Moonlight. I cannot believe it took me so long to find this film [thanks to a respected Goodreads user for mentioning it in a comment thread]. It came out in 1996, while I was deep into my cultural blackout period. Lord knows what else I missed during that time. But I wouldn’t trade those halcyon days of shooting pellet guns at the abandoned van in the gravel parking lot of my hut down by the river. Or maybe I would. Depends on the price. Regardless, it’s all part of who I am now. When you watch a film from 1996 on DVD, the movie starts right up without any previews or pushing any buttons on the remote. It’s nice. I like John Turturro and Sam Rockwell and Catherine Keener. They are all good people in the movies. This is a film that the orbs would hate. Only strange people like films like this. People are smart in different ways. I wish this was universally understood. One person can’t know everything. People think in different ways. This leads to exceptional behavior in one avenue for one person, and a different avenue for another person. What this means is we each can learn from another, from anyone. People are so hard on themselves. It’s unnecessary. We can only do the best that we can.

So there’s this zine called Miranda and the editor, Kate Haas, writes a regular column in it called “Motel of Lost Companions,” where in each issue she spotlights some person from her past she’s no longer in touch with and talks about the significance of this person in her life at the time. This has always resonated with me, for my past is littered with lost companions. Where they all are now is anyone’s guess. I suppose I could get a Facebook account and try to find them, but what would be the point. Likely to be a depressing and futile exercise. I’m sure most are married with kids now…so boring and predictable. Although I suspect some of them aren’t even on Facebook at all. Some of them are probably living desperate lives in basements or roominghouses, struggling to get by and largely failing. Those are the ones I’d probably like to have a conversation with but could never find.

The current moon phase is 47% of full. I hate the internet for telling me that. It would be a tough night to gather moonlight in a box, especially in the city. When I went out, the air felt cool and clean at least. I thought about lost companions and the few that still remain. I thought about Joy Division’s song “In A Lonely Place” and how it haunts me. It’s tied to someone lost, then found, now in limbo. The needle on the vinyl in that room so long ago, caressing the marble and stone, the blinds drawn against our futures.

There are lost companions everywhere, some of them lost before they’re even found. And we’ll never meet because the world is so big. I guess that’s okay, although it sometimes still bothers me. We are all of us in lonely places, after all, but the ones inside us we cannot leave.

returning

I’m back from The Great State of Texas, inspiration for much fine cinema and home of many fine musicians, such as this fellow (one of whose college friends I ate lunch across from last Saturday [see, Texas is not always as big as it seems]) and this other guy (note: not a native Texan). I have photos to share but it will take me some time to organize a photo post. In the meantime, the new issue of Vine Leaves has appeared, with my vignette “Silver Jean” printed within its digital pages. Travel photos to follow soon!

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